by Monica Brown & illustrated by Sara Palacios ‧ RELEASE DATE: Oct. 1, 2011
Marisol’s varied, distinctive lifestyle and multiracial family affirms our increasingly blended society and clearly...
A little girl celebrates her multiracial background and pride in her individuality through a creative and non-conformist attitude.
Marisol McDonald loves her fire-red hair and her brown, freckled skin, feels artistic pleasure in pairing polka-dotted shirts with striped pants and enjoys eating PB&J burritos. Misunderstood by her peers, she is continually teased for not ever matching until one day, confidence diminished, Marisol decides to conform and arrives at school in the same-colored clothes, chooses pirates over soccer rather than playing both simultaneously and eats a peanut butter/jelly sandwich on mushy bread. Bored and unhappy, Marisol is delighted when her teacher gives her a note that boosts her self-esteem with this very positive message: “the Marisol McDonald that I know is a creative, unique, bilingual, Peruvian-Scottish-American, soccer-playing artist and simply marvelous!” Double-page illustrations in assorted media match Marisol’s eclectic style and include everything from childlike crayon-and-pencil drawings to more sophisticated cartoon art that combines paint and newsprint collage. The bilingual, first-person story works well in both English and Spanish despite, as explained in an editor’s note, the difficulty of finding the most appropriate Spanish term for the title’s English phrase.
Marisol’s varied, distinctive lifestyle and multiracial family affirms our increasingly blended society and clearly celebrates independent thinking. Brava! (author’s note) (Picture book. 5-8)Pub Date: Oct. 1, 2011
ISBN: 978-0-89239-235-3
Page Count: 32
Publisher: Children's Book Press
Review Posted Online: Aug. 30, 2011
Kirkus Reviews Issue: Sept. 15, 2011
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by David Milgrim & illustrated by David Milgrim ‧ RELEASE DATE: March 1, 2003
Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be...
In his third beginning reader about Otto the robot, Milgrim (See Otto, 2002, etc.) introduces another new friend for Otto, a little mouse named Pip.
The simple plot involves a large balloon that Otto kindly shares with Pip after the mouse has a rather funny pointing attack. (Pip seems to be in that I-point-and-I-want-it phase common with one-year-olds.) The big purple balloon is large enough to carry Pip up and away over the clouds, until Pip runs into Zee the bee. (“Oops, there goes Pip.”) Otto flies a plane up to rescue Pip (“Hurry, Otto, Hurry”), but they crash (and splash) in front of some hippos with another big balloon, and the story ends as it begins, with a droll “See Pip point.” Milgrim again succeeds in the difficult challenge of creating a real, funny story with just a few simple words. His illustrations utilize lots of motion and basic geometric shapes with heavy black outlines, all against pastel backgrounds with text set in an extra-large typeface.
Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be welcome additions to the limited selection of funny stories for children just beginning to read. (Easy reader. 5-7)Pub Date: March 1, 2003
ISBN: 0-689-85116-2
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
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by Antoinette Portis ; illustrated by Antoinette Portis ‧ RELEASE DATE: Dec. 1, 2006
Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina...
Dedicated “to children everywhere sitting in cardboard boxes,” this elemental debut depicts a bunny with big, looping ears demonstrating to a rather thick, unseen questioner (“Are you still standing around in that box?”) that what might look like an ordinary carton is actually a race car, a mountain, a burning building, a spaceship or anything else the imagination might dream up.
Portis pairs each question and increasingly emphatic response with a playscape of Crockett Johnson–style simplicity, digitally drawn with single red and black lines against generally pale color fields.
Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina Russo’s Big Brown Box (2000) or Dana Kessimakis Smith’s Brave Spaceboy (2005). (Picture book. 5-7)Pub Date: Dec. 1, 2006
ISBN: 0-06-112322-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2006
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