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THE WORRY BALLOON

Sure to help kids conquer first-day-of-school fears.

Childhood anxieties are tamed with the help of a loving adult and coping methods.

Isla remembers a time when her biggest problems would melt away with a snuggle from Mami. Now, as she faces her first day of school, her mind is swirling with nonstop worries and what-ifs. Isla shares her fears with Mami, who talks her through a visualization exercise involving putting her worries in an imaginary balloon and letting it float away. As Isla and Mami walk to school, Isla focuses on her breathing and the familiar sights, sounds, and smells of her neighborhood. When they reach school and Isla’s anxiety surges, Mami reminds Isla to “try picturing what you want to see happen” and to “try making it something happy,” which helps her transition into the school day. While Isla’s worries haven’t disappeared for good, they have quieted thanks to positive self-talk and other strategies she’s practiced with Mami. Inviting illustrations include powerful visual representations of what it feels like to be frozen in fear—tree roots extending from Isla’s feet as she feels literally anchored to the ground; her legs stuck in quicksand—in addition to cheerful, reassuring scenes. Anxious readers will recognize themselves in Isla’s struggle and perhaps learn a new way of approaching their fears. Isla and her mom are Latine, with brown skin and wavy brown hair. (This book was reviewed digitally.)

Sure to help kids conquer first-day-of-school fears. (tips for “building your worry tool bag,” author’s note) (Picture book. 5-8)

Pub Date: July 11, 2023

ISBN: 9781250852939

Page Count: 40

Publisher: Roaring Brook Press

Review Posted Online: May 9, 2023

Kirkus Reviews Issue: June 1, 2023

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MAYA'S BIG QUESTION

From the Ambitious Girl series , Vol. 3

Another empowering outing led by a dynamic young role model.

The third title in the Ambitious Girl series finds young Maya wanting accomplished women to get their due.

On a school trip to Washington, D.C., brown-skinned, bubble-braided Maya is full of questions, among them “How many representatives are there?” and, while checking out the statues and monuments, “Where are all the women?” Maya’s teacher tells her that they’ve seen all the “popular” statues and monuments. Maya is as dogged (“But what about Eleanor Roosevelt? Or Mary McLeod Bethune?”) as her teacher is dismissive: “Those aren’t on my list.” (Maya’s teacher follows the same list every trip.) Back at home, Maya is newly awakened to the lack of female representation in her orbit—she notices that streets and “even her own school” are named for men. Is there anything she can do about this? Maya’s teacher’s cluelessness feels a bit implausible, more like a plot device to steer the story in the right direction, but Maya’s righteous indignation is believable, and her corresponding activism will energize readers. Valdez gets into the spirit of things with her invigorating digital art: Maya and her multiethnic classmates and neighbors are colorful dressers with smiling faces, which fosters a sense that wherever Maya goes, a warm and ebullient community is there for her.

Another empowering outing led by a dynamic young role model. (Picture book. 5-8)

Pub Date: Feb. 3, 2026

ISBN: 9780316561341

Page Count: 40

Publisher: Little, Brown

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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