Tantalizingly sensationalistic premise, disappointing execution.
Men—not the woman who murders them—are the objects of horror in this debut novel.
The story opens with a vivid description of the protagonist’s mother tearing apart a fish she has just cooked and horrifying both her daughters by pulling out an eye, holding it aloft, and eating it with exaggerated relish. It’s an arresting tableau and one that will—as you might guess from the title—take on greater significance as the narrative progresses. This is also a rare moment of pleasure for a woman whose world is falling apart after her husband abruptly left her, and this betrayal by a man will also echo throughout the book. Ji-won, the narrator, is in her first year of college. She’s struggling academically and socially. When a white guy named Geoffrey seems eager to get to know her, she neither discourages him nor encourages him. Her reaction to her mother’s new boyfriend, George—another white guy—is entirely straightforward: She loathes him, and his arrival is something of a psychic turning point. Her loathing turns into nightmares about blue eyes, and Ji-won turns into a murderer with a desperate need to devour human eyeballs. There will no doubt be readers who get a kick out of this book simply because it’s a feminist revenge fantasy. But if the concept alone isn’t enough to hold your attention, there’s not much else on offer here. The pace is leaden—until the final act, which feels rushed and truncated. Geoffrey is straight caricature; a dude who is this emphatic about his feminism has to be a creep. George is also rather broadly depicted. It’s only fair to say that his ignorance, bigotry, and general terribleness are believable but, as a villain, he doesn’t have enough depth to make him interesting. Neither does Ji-won, and that’s probably this book’s greatest weakness. Kim does very little to help us understand why, exactly, this young woman turns murderous. Young women all over the world deal with terrible men every day without going on a cannibalistic killing spree. Her transition from aimless and unhappy college student to devious criminal mastermind is equally perplexing.
Tantalizingly sensationalistic premise, disappointing execution.Pub Date: June 25, 2024
ISBN: 9781645661238
Page Count: 288
Publisher: Erewhon
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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