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BE LIGHT LIKE A BIRD

Skillful characterization carries this quiet novel along.

A young girl’s first-person narrative of her journey through grief to acceptance.

After her father’s death in an airplane accident, 12-year-old Wren is enveloped in a cloud of grief. With no body to bury, she mitigates her sadness by burying the animals she finds dead along the road. Wren’s mother retreats into anger, leaving Wren to feel abandoned by both parents. After several brief moves, the mother and daughter, both white, end up in Michigan’s Upper Peninsula, where Wren continues the bird-watching she so loved with her father. Through a school assignment, Wren learns that Pete’s Pond, her birding locale, is slated to be destroyed to expand a landfill. She and her project partner, Theo, who’s also white, lead a protest to stop the plan. Wren wrestles with whether to compromise her values to join the popular girls at school, deciding instead to be true to herself. By the predictable but satisfying ending, Wren has grown, with the help of Theo, whose mother previously died, toward acceptance, forgiveness, and a new definition of family. While it’s preachy in parts, the maudlin is averted by Wren’s authentic voice and the inclusion of engaging characters and substantive issues, ranging from peer pressure and bullying to infidelity and environmental concerns.

Skillful characterization carries this quiet novel along. (Fiction. 9-12)

Pub Date: Sept. 1, 2016

ISBN: 978-1-62370-749-1

Page Count: 240

Publisher: Capstone Young Readers

Review Posted Online: June 21, 2016

Kirkus Reviews Issue: July 1, 2016

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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CLUES TO THE UNIVERSE

Charming, poignant, and thoughtfully woven.

An aspiring scientist and a budding artist become friends and help each other with dream projects.

Unfolding in mid-1980s Sacramento, California, this story stars 12-year-olds Rosalind and Benjamin as first-person narrators in alternating chapters. Ro’s father, a fellow space buff, was killed by a drunk driver; the rocket they were working on together lies unfinished in her closet. As for Benji, not only has his best friend, Amir, moved away, but the comic book holding the clue for locating his dad is also missing. Along with their profound personal losses, the protagonists share a fixation with the universe’s intriguing potential: Ro decides to complete the rocket and hopes to launch mementos of her father into outer space while Benji’s conviction that aliens and UFOs are real compels his imagination and creativity as an artist. An accident in science class triggers a chain of events forcing Benji and Ro, who is new to the school, to interact and unintentionally learn each other’s secrets. They resolve to find Benji’s dad—a famous comic-book artist—and partner to finish Ro’s rocket for the science fair. Together, they overcome technical, scheduling, and geographical challenges. Readers will be drawn in by amusing and fantastical elements in the comic book theme, high emotional stakes that arouse sympathy, and well-drawn character development as the protagonists navigate life lessons around grief, patience, self-advocacy, and standing up for others. Ro is biracial (Chinese/White); Benji is White.

Charming, poignant, and thoughtfully woven. (Fiction. 9-12)

Pub Date: Jan. 12, 2021

ISBN: 978-0-06-300888-5

Page Count: 304

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: Oct. 26, 2020

Kirkus Reviews Issue: Nov. 15, 2020

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