There’s always a hit-or-miss quality to such projects, and some question over the selections, but what’s great here is...
Graphic biographies of 16 of the most influential cartoonists by some of the great cartoonists they influenced.
It’s difficult to argue with the concept: Commission some of the finest contemporary graphic artists to pay homage to their heroes, the ones who inspired them to pursue their vocation. Editor Beauchamp (Krampus: The Devil of Christmas, 2010, etc.) has done a fine job in selecting subjects and matching them with acolytes (as well as collaborating as writer on a few of the bios). The pinnacle is Drew Friedman’s deeply personal appreciation of R. Crumb, in which he not only celebrates Crumb’s style, but demonstrates his influence. Other stylistic highlights include Mark Alan Stamaty’s visceral rendering of the legacy of Jack Kirby (“Captain America”), Owen Smith’s sepia-tone commemoration of Lynd Kendall Ward (“Father of the Graphic Novel”) and Sergio Ruzzier’s depiction of Charles M. “Sparky” Schulz as Charlie Brown. There are also revelations: Dr. Suess took his mother’s maiden name as his pen name, and the correct pronunciation—or the way her family pronounced it—was “ ‘Soice’ as in ‘Voice,’ but it quickly became ‘Soose’ as in ‘Goose.’ ” Harvey Kurtzman’s role as creator of Mad is just part of what he achieved before and after, when his editorial assistants included Gloria Steinem, R. Crumb and Monty Python’s Terry Gilliam. A major void is the lack of female cartoonists as subjects (and only two as contributors), and even within the stable of white male cartoonists, there are top artists who are glaringly absent. While it’s hard to argue about the cultural significance of either Walt Disney or Hugh Hefner, both of whom have contributed greatly to the profession, at least the latter would have never made the cut on his drawings alone. Common themes include broken marriages and artists not given their due, especially financially.
There’s always a hit-or-miss quality to such projects, and some question over the selections, but what’s great here is really terrific.Pub Date: Sept. 2, 2014
ISBN: 978-1-4516-4919-2
Page Count: 128
Publisher: Simon & Schuster
Review Posted Online: June 24, 2014
Kirkus Reviews Issue: July 15, 2014
Lionel Dahmer, father of mass murderer Jeffrey Dahmer, here writes one of the most courageous, unsensational books ever written about serial murder. It does not even summarize Jeffrey's crimes. Dahmer takes upon himself much of the guilt for his son's acts by considering a genetic predisposition to murder he may have passed on to his son; various acts of his own moral blindness that may have contributed to his son's deprived emotional being; and things he did and didn't do when certain symptoms appeared that might have alerted him to Jeffrey's lust for sexual atrocity. What parts of the father, the book asks, are replicated in the son? Largely, Jeffrey is a failure whose failings were earlier those of his father, though the father overcame each failing as its pain grew. Intellectually and physically inferior as a child, Lionel was tutored by his parents from first grade on, and by dint of hard study earned a doctorate in chemistry. A puny child, he took up body-building as a teenager and turned himself into a fine physical specimen. But he also had murderous dreams from which he would awake trembling. Jeffrey's mother was also a depressive, and her excessive pill-taking during pregnancy may well have damaged Jeffrey's genes. As a child, he developed a testicular hernia that, when treated by surgery, gave him a fear of castration and seemed to lead into lasting withdrawal from his family and friendships and, by the time he was 15, into alcoholism and a liking for dead things. Lionel sees Jeffrey's main psychotic trigger lying in a need to control: his own need for intellectual and physical control resulted in a glass wall between himself and Jeffrey; Jeffrey's need for control grew into a need for drugged or dead lovers who submitted to him absolutely. Clear, modest, intelligent—and extremely disturbing.
Pub Date: March 1, 1994
ISBN: 0-688-12156-X
Page Count: 224
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1994
Daniels emerges as a force to be reckoned with—and not someone to cross. Of interest to politics junkies but with plenty of...
A lively, candid memoir from person-in-the-news Daniels.
The author is a household name for just one reason, as she allows—adding, though, that “my life is a lot more interesting than an encounter with Donald Trump.” So it is, and not without considerable effort on her part. Daniels—not her real name, but one, she points out, that she owns, unlike the majority of porn stars—grew up on the wrong side of town, the product of a broken home with few prospects, but she is just as clearly a person of real intelligence and considerable business know-how. Those attributes were not the reason that Trump called her on a fateful night more than a decade ago, but she put them to work, so much so that in some preliminary conversation, he proclaimed—by her account, his talk is blustery and insistent—that “our businesses are kind of a lot alike, but different.” The talk led to what “may have been the least impressive sex I’d ever had, but clearly, he didn’t share that opinion.” The details are deeply unpleasant, but Daniels adds nuance to the record: She doesn’t find it creepy that Trump likened her to his daughter, and she reckons that as a reality show host, he had a few points in his favor even if he failed to deliver on a promise to get her on The Apprentice. The author’s 15 minutes arrived a dozen years later, when she was exposed as the recipient of campaign hush money. Her account of succeeding events is fast-paced and full of sharp asides pointing to the general sleaziness of most of the players and the ugliness of politics, especially the Trumpian kind, which makes the porn industry look squeaky-clean by comparison.
Daniels emerges as a force to be reckoned with—and not someone to cross. Of interest to politics junkies but with plenty of lessons on taking charge of one’s own life.Pub Date: Oct. 2, 2018
ISBN: 978-1-250-20556-8
Page Count: 288
Publisher: St. Martin's
Review Posted Online: Oct. 5, 2018
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