An unevenly paced but poignant coming-of-age story.
A young woman must find her place in the world in Vega’s debut new-adult novel.
Coralee Reed, who’s 18, is aging out of the foster-care system and leaving her Midwestern home of seven months. She’s a violinist, headed for nearby Borns College as a music major. When she arrives, there’s a mix-up that leaves her without a room assignment. She ends up rooming with Emma Anderson, and they become fast friends. One of Coralee’s new classmates is Dylan Mason, an old rival from regional orchestra. She’s starting to feel that she belongs at the school until Emma’s absent roommate, Harper, shows up and complicates matters. Coralee has a little crush on Dylan, whom she believes is gay; her affection is deepened when she finds out that he once stood up for her in high school against kids who said cruel things about her. Dylan confesses that he likes Coralee, too, but that he’s wary of a pursuing a romance for “complicated” reasons. As things get worse with Harper, Coralee reaches out to her foster family for help and starts to think about not cutting off all ties with them when she turns 21. Things eventually come to a head in a way that jeopardizes Coralee’s future at the university. Coralee’s history in the foster system makes her struggles to find a safe place on campus all the more realistic, and a major theme of Vega’s novel is the protagonist’s quest to figure out where she belongs—with her foster family, with Emma or Dylan, or with any of her roommates. The author does a fine job of capturing just what it’s like to be a college freshman—constantly meeting new people, living in complex dorm situations, and running around campus to get to classes. Music theory references are well integrated and help to show Coralee’s passion for the violin. Overall, not a lot happens in the story until the latter half of the book, but although the beginning is a bit slow, the ending is solid and satisfying.
An unevenly paced but poignant coming-of-age story.Pub Date: Aug. 3, 2021
ISBN: 978-1-73705-951-6
Page Count: 274
Publisher: Self
Review Posted Online: Aug. 31, 2021
Review Program: Kirkus Indie
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
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