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MISTER FAIRY

A delightful, lighthearted tale of self-discovery.

A fairy leaves his forest home and travels to the city in search of his special talent.

Unlike the other forest fairies, who all have their own unique skills, Mister Fairy feels useless. “Sad and unhappy,” he leaves the forest only to arrive in “a very different forest” (depicted in Pigé’s artwork as a city) where everything is “dark and gray and colorless” and its inhabitants also seem sad and unhappy. Then Mister Fairy tentatively waves his wand, and magically the city’s awash in color, making the people smile. “No longer feeling sad and unhappy,” Mister Fairy heads into the subway, where he waves his wand again and tickles passengers with his tiny wings, prompting everyone to laugh. Back on the street, he transforms outdoor cafe umbrellas into giant cotton-candy balls, delighting all. Returning home, Mister Fairy discovers his forest has lost its color, and his forest friends no longer laugh or smile without him. Realizing he’s not the “most useless fairy” after all, a now-confident Mister Fairy knows just what to do. Whimsical illustrations rely on abstract, simple shapes and soft colors to capture Mister Fairy’s transition from frowning and purposeless to smiling and fulfilled. Humorously presented as a miniature elephant in a dress with itty-bitty wings and a wand, Mister Fairy’s tiny, solitary figure will engender chuckles as he deliberately flits across the pages, spreading color, smiles, and even cotton candy.

A delightful, lighthearted tale of self-discovery. (Picture book. 4-8)

Pub Date: Sept. 7, 2021

ISBN: 978-1-63655-000-8

Page Count: 40

Publisher: Red Comet Press

Review Posted Online: June 15, 2021

Kirkus Reviews Issue: July 1, 2021

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READ ALL ABOUT IT!

Visually sweet, though hampered by disjointed storytelling.

In this picture book from Fox News journalist Hall, a young hedgehog must find a way to protect his community when peril looms.

Hedgehog and his father both have busy days ahead. Dad’s on his way to the newspaper to report “what new news the news brings.” Hedgehog packs his backpack for an adventure, mindful of Dad’s rules: “Don’t talk to strangers” and “never ever cross the river alone.” Obeying the rules proves difficult when Hedgehog notices commotion on the other side of the river: A bear is hungrily eyeing Baby Owl, who’s fallen from her tree. With creative thinking, Hedgehog frightens off the bear and alerts Mama Owl, but the predator is still at large. So Hedgehog and Mama Owl create flyers to warn the forest residents. Though Motzo’s airy illustrations are pleasing—particularly the adorably animated Hedgehog, a tribute to Hall’s own children—the narrative feels bogged down with multiple themes as it attempts to explore the power of the written word, the importance of community, and the need to adhere to a parent’s rules. When Hedgehog apologizes for his apparent disobedience, Dad explains that Hedgehog never actually broke the rules; turns out it’s OK to cross the river in the company of an adult, and Mama Owl’s no stranger (she’s the town librarian, whom Hedgehog sees every week). The back-and-forth may leave readers confused; it also feels like a missed opportunity to discuss how to identify trustworthy adults.

Visually sweet, though hampered by disjointed storytelling. (Picture book. 4-8)

Pub Date: March 3, 2026

ISBN: 9780063357549

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 26, 2025

Kirkus Reviews Issue: Feb. 1, 2026

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MAYA'S BIG QUESTION

From the Ambitious Girl series , Vol. 3

Another empowering outing led by a dynamic young role model.

The third title in the Ambitious Girl series finds young Maya wanting accomplished women to get their due.

On a school trip to Washington, D.C., brown-skinned, bubble-braided Maya is full of questions, among them “How many representatives are there?” and, while checking out the statues and monuments, “Where are all the women?” Maya’s teacher tells her that they’ve seen all the “popular” statues and monuments. Maya is as dogged (“But what about Eleanor Roosevelt? Or Mary McLeod Bethune?”) as her teacher is dismissive: “Those aren’t on my list.” (Maya’s teacher follows the same list every trip.) Back at home, Maya is newly awakened to the lack of female representation in her orbit—she notices that streets and “even her own school” are named for men. Is there anything she can do about this? Maya’s teacher’s cluelessness feels a bit implausible, more like a plot device to steer the story in the right direction, but Maya’s righteous indignation is believable, and her corresponding activism will energize readers. Valdez gets into the spirit of things with her invigorating digital art: Maya and her multiethnic classmates and neighbors are colorful dressers with smiling faces, which fosters a sense that wherever Maya goes, a warm and ebullient community is there for her.

Another empowering outing led by a dynamic young role model. (Picture book. 5-8)

Pub Date: Feb. 3, 2026

ISBN: 9780316561341

Page Count: 40

Publisher: Little, Brown

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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