A boldly political and boldly offensive sendup of America’s War on Terror and its aftermath.
A sexually frustrated Iraq War veteran grapples with past and present sins in Shallman’s satirical erotic thriller.
It’s 2003, and U.S. Navy Capt. Rod Solo loves being a fighter pilot. Flying his F/A 18F Super Hornet during the Iraq War is, for him, something close to sex. He’s also sexually intimate with his male co-pilot, Willy Green, while they’re stranded in the desert following a crash. After surviving capture, sexual torture, and even a bomb, Rod makes it back to America where (after a short fling with Edwina, the transgender sister of Willy, who’s missing in action), he embarks on a new career as a CIA drone pilot. Although a lack of arousal keeps him from having sex with his wife, Lulu, he has the opposite problem at work, where the grainy images of buildings and vehicles he targets leave him sweaty. His sexual desire carries over an in-person encounter with a co-worker, Mission Specialist Honey Bagwell—which, in turn, leads to the accidental bombing of a school in Pakistan. To atone for their horrific mistake, Rod and Honey are sent to Karachi disguised as DJs to kill the man they were supposed to eliminate: narco-terrorist Mohammed Rafiq. On-the-ground missions are a lot more dangerous than remote ones, and Rod realizes that the CIA may have decided he’s better off dead than alive. Over the course of this novel, Shallman offers high-octane prose that combines over-the-top prurience and nihilist political satire, as in a scene in which Rod takes a break at work: “As he pleasured himself, Rod imagined his penis was a joystick and his welling sperm ballistic missiles poised for launch from a gigantic turgid flesh drone hovering over Langley.” The book is certainly self-aware (at one point Shallman himself even makes an appearance) and the author’s use of hypersexuality to critique American imperial violence is certainly thought-provoking. Overall, though, the book isn’t as sexy, or even as funny, as it is discomfiting—and perhaps that’s the point that the author is trying to make.
A boldly political and boldly offensive sendup of America’s War on Terror and its aftermath.Pub Date: May 8, 2024
ISBN: 9798986354859
Page Count: 270
Publisher: Flying Bed Books
Review Posted Online: May 28, 2024
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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