A twisty, satisfyingly unpredictable SF action tale.
In Mikheyev’s SF thriller, a man with miraculous abilities is hunted by a mysterious villain.
In a slam-bang opening scene, Miss Anne-Marie Reneux is having her usual breakfast at her favorite New York City cafe when a naked young man runs straight to her table. She jolts back, spilling the contents of her purse (including her handgun), but he only seems to want to look at her copy of the New York Times. He scans the obituaries, finds one for Aristotle Zurr-McIntyre, abruptly grabs her gun, shoots himself in the head, and then vanishes. Miss Reneux faints, and the novel is off to the races. Aristotle Zurr-McIntyre’s obituary gives the particulars of his life and death and ends with the cryptic line “He had been discovered by the Wisher.” This mysterious figure—the Wisher—looms over the action of the entire narrative, in which a man going by the name of Jon Smyth seeks to reconcile his burgeoning love for a beautiful woman named Lilyanne with his own dealings with the Wisher, who “lives in the realm of fairness and justice, of an eternal divine order.” The author expertly balances the storylines of Smyth and Adam Micah (the true identity of Aristotle Zurr-McIntyre), both of whom seem connected to a strange group of mutants called vanishers who have the ability to regenerate damaged organs and disappear when they’re killed. The dialogue is peppy (“ ‘So, read me a poem,’ she proposed. ‘The young is night.’ ‘Ah.’ I laughed. ‘There we go with that cryptic phrase of yours. It’s all backward—’ ‘Life is backward,’ she interjected”), and rapid-fire scenes effectively maintain the mystery surrounding both the Wisher and the vanishers, mysteries Mikheyev skillfully leaves open-ended right to the story’s conclusion. Even die-hard SF readers won’t see some of the turns coming.
A twisty, satisfyingly unpredictable SF action tale.Pub Date: Sept. 26, 2023
ISBN: N/A
Page Count: 407
Publisher: Self
Review Posted Online: May 24, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
It's almost enough to make a person believe in ghosts.
A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.
Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.
It's almost enough to make a person believe in ghosts.Pub Date: May 10, 2022
ISBN: 978-1-250-81934-5
Page Count: 384
Publisher: Flatiron Books
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
BOOK REVIEW
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