A varied but reliably intriguing book of conversations on success in the arts and in competition.
Journalist and author Bishara seeks out the secret skillset behind successful athletes/musicians in this collection of interviews.
It’s hard to make it as a professional musician, and it’s perhaps even more difficult to make it as a professional athlete. Hardest of all is managing to do both. In this book, Bishara, who’s written for CNN, ESPN, and the Guardian, profiles 15 athletes/musicians who’ve achieved success in both arenas. These aren’t just people who’ve parlayed their superstardom into making a few disposable records, either, à la Shaquille O’Neal or Terry Bradshaw. Bishara is specifically interested in those who’ve demonstrated unquestionable success in music, such as winning awards or selling out prestigious venues. His list includes well-known figures, such as Bernie Williams, the Yankees’ All-Star center fielder and Grammy-nominated guitarist; Damian Lillard, the rare NBA player whose hip-hop efforts have been met with critical plaudits; and Yannick Noah, the tennis legend who enjoyed a second career as a pop star in his native France. There are athletes readers may not have heard of, as well, such as an English cricketer-turned–rock musician and a San Jose skateboarder who switched to jazz guitar. Bishara is eager to learn the secrets behind these remarkable career transitions, and he soon realizes a lot of the things that help make a successful athlete help in creating music. Flow, improvisation, grit, poise: All these things contribute to a winning performance, be it on the ski slope, tennis court, baseball diamond, or concert stage.
The book is well constructed, with many full-color photos by the author and others and a handsome layout. Bishara is a competent interviewer, though his bubbly writing skills are on better display during the profiles that proceed each interview: “For the past seven years this has been [Swedish footballer Kevin Walker’s] life, a situation he compares to living like Batman and his alter ego Bruce Wayne. One day he performs as a veteran leader in Sweden’s top tier of football, and the next as one of the county’s most endearing singer-songwriters.” The most engaging stories are the lesser-known ones, such as the case of Kyle Turley, an NFL lineman–turned–country musician who opens up about the mental health issues he’s experienced as a result of his many career concussions. Others have insights into specific elements of success; as Bronson Arroyo, a World Series–winning pitcher–turned-guitarist, puts it, it’s all about getting in the zone: “It’s where you’re so comfortable in a situation that would normally bother someone else but isn’t bothering you at all. You’re just having a pleasant time inside of what seems like it could be a very nerve-racking environment.” Despite the author’s insistence otherwise, several of the musicians profiled, such as Arroyo or the New York Liberty’s Essence Carson, are trading mostly on their athletic fame and haven’t accomplished much in music. Even so, the book succeeds as an investigation of a truly impressive phenomenon.
A varied but reliably intriguing book of conversations on success in the arts and in competition.Pub Date: Feb. 22, 2022
ISBN: 978-1-80378-029-0
Page Count: 246
Publisher: Cranthorpe Millner Publishers
Review Posted Online: July 2, 2022
Review Program: Kirkus Indie
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A beautifully produced, engaging homage.
Celebrating a beloved artist.
Published to coincide with a major exhibition of works by British-born artist David Hockney (b. 1937) at the Fondation Louis Vuitton, Paris, this lushly illustrated volume offers a detailed overview of the artist’s life and work, along with chapters focused on his various styles and subject matter, a chronology, and a glossary of the many techniques he employed in his art, including camera lucida, computer, and video. Contributors of essays include noted art historians and curators, such as Norman Rosenthal, who edited the volume; Simon Schama; Anne Lyles; James Cahill; and François Michaud. Growing up in the north of England, Hockney was drawn to the light and sparkle that he found in Hollywood movies. When he finally arrived in Los Angeles, the sunlit landscapes inspired him, and his new sense of artistic freedom concurred with sexual freedom: As a gay man, he felt liberated from the constraints that had weighed on him in Britain, even in the “relative Bohemia” of the Royal College of Art. Essayists reflect on his artistic interests, such as landscapes, portraiture, flowers, and the opera—for which he created boldly exuberant sets—as well as on his influences and experimentation. Michaud examines the impact on Hockney of a visit to Paris in the 1970s, where he became familiar with Henri Matisse and his contemporaries from museum exhibitions. In the 1990s, visiting his mother and friends in Yorkshire, Hockney painted both outdoors and in the studio, experimenting with various media—including the photocopier and fax machine—as he worked to render the woodsy landscape. As a companion to the exhibition, the volume offers stunning reproductions of Hockney’s prolific works. Enormously popular with museumgoers, Hockney, Rosenthal exults, “transforms the ordinary and the everyday into the remarkable.”
A beautifully produced, engaging homage.Pub Date: June 3, 2025
ISBN: 9780500029527
Page Count: 328
Publisher: Thames & Hudson
Review Posted Online: April 16, 2025
Kirkus Reviews Issue: May 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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