by M.R. Carey ‧ RELEASE DATE: June 10, 2014
One of the more imaginative and ingenious additions to the dystopian canon.
Carey offers a post-apocalyptic tale set in England in a future when most humans are "empty houses where people used to live."
Sgt. Parks, Pvt. Gallagher, Miss Justineau and Dr. Caldwell flee an English military camp, a scientific site for the study of "hungries," zombielike creatures who feast on flesh, human or otherwise. These once-humans are essentially "fungal colonies animating human bodies." After junkers—anarchic survivalists—use hungries to breach the camp's elaborate wire fortifications, the four survivors head for Beacon, a giant refuge south of London where uninfected citizens have retreated over the past two decades, bringing along one of the study subjects, 10-year-old Melanie, a second-generation hungry. Like others of her generation, Melanie possesses superhuman strength and a superb intellect, and she can reason and communicate. Dr. Caldwell had planned to dissect Melanie's brain, but Miss Justineau thinks Melanie is capable of empathy and human interaction, which might make her a bridge between humans and hungries. Their philosophical dispute continues in parallel to a survival trek much like the one in McCarthy's On the Road. The four either kill or hide from junkers and hungries (which are animated by noise, movement and human odors). The characters are somewhat clichéd—Parks, rugged veteran with an empathetic core; Gallagher, rube private and perfect victim; Caldwell, coldhearted objectivist ever focused on prying open Melanie’s skull. It may be Melanie's role to lead second-generation hungries in a revival of civilization, which in this imaginative, ominous assessment of our world and its fate, offers cold comfort.
One of the more imaginative and ingenious additions to the dystopian canon.Pub Date: June 10, 2014
ISBN: 978-0-316-27815-7
Page Count: 416
Publisher: Orbit/Little, Brown
Review Posted Online: April 1, 2014
Kirkus Reviews Issue: April 15, 2014
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PROFILES
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Pierce Brown ‧ RELEASE DATE: Feb. 9, 2016
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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