Timely and at times wrenching stories about contemporary Zambian women fighting to establish their identities.
A debut collection about women living in Zambia and abroad.
Winner of the 2024 Drue Heinz Literature Prize, Kalimamukwento’s stirring stories explore the lives of women weighing their debts to tradition and family against their desire to break free and express their true selves. In “Azubah,” Funso has to return home to Zambia to care for the mother who never seemed to love her. The past still has a grip on her, even though she believes she has bought her freedom by moving to America and remitting her “Black Tax” with every paycheck to ensure her mother is cared for. In “Inswa,” the young female narrator discovers her sexuality with her best friend, another girl, and would rather endure her mother’s abuse than give up the pleasure she’s found. Kalimamukwento has an eye for the poetic possibility of the natural world. After her first kiss, the narrator says her “stomach exploded into an army of golden flying termites, spilling out of their underground castles after a December storm,” and her ears “filled with bees fighting to escape.” In “Mastitis,” another standout, the narrator loses her mother the same day she gives birth to a daughter, though her mother reappears—an apparition—with sage advice and common sense when the narrator needs her most. This collection covers a lot of ground—from the price of privileging English over one’s native language to the dehumanizing U.S. immigration system, from the AIDS epidemic in Zambia to illegal adoption rings. These are complicated and important issues, but at times it feels like Kalimamukwento is cataloging all the social ills that Zambian women face and the steep cost of global imperialism rather than slowing down and deepening our understanding of the particular women and girls who are emmeshed in these heartbreaking circumstances.
Timely and at times wrenching stories about contemporary Zambian women fighting to establish their identities.Pub Date: Oct. 8, 2024
ISBN: 9780822948360
Page Count: 200
Publisher: Univ. of Pittsburgh
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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SEEN & HEARD
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