The hip, knowing and sometimes hysterically funny narrative, interspersed with excerpts from the guide of the title, lurches...
From the author of Playing for Keeps (2008), a comedic fantasy about monsters and New Yorkers—and, as residents will be unsurprised to learn, monsters who are New Yorkers.
Fresh from the North Carolina train wreck that was her previous job—she was seduced by her boss, and his wife, a cop, found out—Zoë Norris hopes for a gig as a travel book editor in New York. She finds what seems to be the ideal job, but business owner Phillip Rand proves extremely reluctant to hire her despite her excellent credentials. Why? Well—she’s human. Phil, it turns out, is a vampire, and among the other employees are an incubus, a water sprite, a death goddess and several zombies who keep a supply of brains in the office refrigerator—they’re a little slow but OK unless they get hungry. Zoë can’t help but wonder what other “coterie” are out there. Werewolves? Ghosts? “Banshees? Now everything about Britney Spears made sense.” Not to mention Granny Good Mae, a homeless bag lady who for some reason terrifies the coterie. Then Phil hires a construct (a Frankenstein’s monster) as head of CR (that’s Coterie Resources, Zoë being the sole human). What Zoë finds horrible and suspicious is that the new guy wears the head of an old college boyfriend. As things rapidly get out of hand, Zoë will learn just how hard it is to resist a hungry incubus and the pivotal role played by the employees of the city’s Public Works department—you will never look at those figures in reflective vests and hard hats emerging from mysterious dark apertures in the same way again.
The hip, knowing and sometimes hysterically funny narrative, interspersed with excerpts from the guide of the title, lurches along in splendid fashion. Combine wit, style and acute observation: The result is irresistible.Pub Date: May 28, 2013
ISBN: 978-0-316-22117-7
Page Count: 368
Publisher: Orbit/Little, Brown
Review Posted Online: March 2, 2013
Kirkus Reviews Issue: March 15, 2013
BOOK REVIEW
A tantalizing, otherworldy adventure with imagination that burns like fire.
The third installment of this fantasy series (The Bone Season, 2013; The Mime Order, 2015) expands the reaches of the fight against Scion far beyond London.
Paige Mahoney, though only 19, serves as the Underqueen of the Mime Order. She's the leader of the Unnatural community in London, a city serving under the ever more militaristic Scion, whose government is based on ridding the streets of "enemy" clairvoyants. But Paige knows the truth about Scion's roots—that an Unnatural and immortal race called the Rephaim, who come from the Netherworld, forced Scion into existence to gain control over the growing human clairvoyant community. Scion’s hatred of clairvoyants now runs so deep that Paige is forced to consider moving her entire syndicate into hiding while she aims to stop Scion's next attack: there are rumors that Senshield, a scanner able to detect certain levels of clairvoyance, is going portable. Which means no Unnatural citizen is safe—their safe houses, their back-alley routes, are all at risk of detection. Paige’s main enemy this time around is Hildred Vance, mastermind of Scion’s military branch, ScionIDE. Vance creates terror by anticipating her opponent’s next moves, so with each step that Paige and her team take to dismantle Senshield, Vance is hovering nearby to toy with Paige’s will. Luckily, Paige is never separated for long from her Rephaite ally, Warden, as his presence is grounding. But their growing relationship, strengthened by their connection to the spirit world, takes a back seat to the constant, fast-paced action. The mesmerizing qualities of this series—insight into the different orders of clairvoyance as well as the intricately imagined details of Paige’s “dreamwalking” gift, with which she is able to enter others’ minds—fade to the background as this seven-part series climbs to its highest point of tension. Shannon’s world begins to feel more generically dystopian, but as Paige fights to locate and understand the spiritual energy powering Senshield, it is never less than captivating.
A tantalizing, otherworldy adventure with imagination that burns like fire.Pub Date: March 7, 2017
ISBN: 978-1-63286-624-0
Page Count: 384
Publisher: Bloomsbury
Review Posted Online: Dec. 14, 2016
Kirkus Reviews Issue: Jan. 1, 2017
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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