You have to wonder why, given Lafferty’s manifest talent for humor, she didn’t simply play it for laughs. Still, readers...
The fantasist author of the hilarious The Shambling Guide to New York City (2013) ventures into science-fiction horror.
The immediate setup will be familiar to mystery fans: five dead bodies, variously stabbed, poisoned, or hanged, and no survivors. Whodunit? We’re in the 25th century, however, on a sub–light speed starship whose controlling artificial intelligence, IAN, is offline. The six—gofer Maria Arena, Capt. Katrina de la Cruz, navigator/pilot Akihiro Sato, security chief Wolfgang, engineer Paul Seurat, and Dr. Joanna Glass—wake in new, cloned bodies, covered in slime, surrounded by vats, tubes, gore, and the horror of their own slaughtered corpses, with no idea of what’s been happening since the voyage began. They do recall earlier lifetimes, but evidently they were all criminals, so nobody can afford to reveal anything or trust anybody else. And with both the clone-growth and memory-backup processes sabotaged, the bodies they now occupy are their last. Maybe this is all just too devious for its own good. In any event, the narrative never quite lives up to that remarkable opening. Momentum dissipates amid frequent pauses to belabor the cloning process and laws relating to clone succession, not to mention a succession of scientific howlers (for instance, the ship depends for power on a solar sail—but there’s no “solar” in interstellar space). Still, as the characters delve separately and together into their previous lives in search of an explanation for their predicament, the tension rises, personalities are revealed, and common factors emerge—some of them, we learn, are retired, recovering, or repurposed homicidal maniacs.
You have to wonder why, given Lafferty’s manifest talent for humor, she didn’t simply play it for laughs. Still, readers easily captivated and not overly concerned with structural dependability will find much to entertain them.Pub Date: Jan. 31, 2017
ISBN: 978-0-316-38968-6
Page Count: 400
Publisher: Orbit
Review Posted Online: Nov. 5, 2016
Kirkus Reviews Issue: Nov. 15, 2016
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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