A delicate rendering of a life smothered by overwhelming loss.
A woman becomes mired in the moment that her father disappeared from her life.
In her first book published in English, Italian novelist Terranova tells an affecting tale of a woman consumed by the loss of her father, who left the house one day when she was 13 and was never heard from again. Set in Sicily, where the now 36-year-old Ida goes to help her mother clear out the family’s apartment in preparation for selling, the novel evokes the world so palpably portrayed by Elena Ferrante, a comparison underscored by Ida’s troubled relationship with Sara, a young woman who had been her closest friend but now spurns her efforts to reconnect. The tension between Ida and Sara is likely to remind readers of Ferrante’s Elena and Lila, of My Brilliant Friend. Terranova’s restrained, graceful prose, translated by former New Yorker editor Goldstein, deftly captures Ida’s sorrow and anger. Her father had been depressed for years, and while Ida’s mother went off to work, Ida was left to feed him lunch and watch him as he lay in bed, day after day. When he disappeared, she was consumed with guilt. “Those who disappear redraw time,” she thinks, “and a circle of obsessions envelops the survivors.” She and her mother never talked about what happened. Their world, she says, “had gotten stuck,” and each carried out “a stubborn pretense that nothing was wrong,” never confiding their despair, even to one another, never asking anyone for help. Their family of two, she reflects, was “maimed and full of silences.” During her brief return to Sicily, surrounded by artifacts of her past, Ida is forced both to confront painful memories and to face the effects of her self-absorption and deeply held identity as “the daughter of the absence” of her father.
A delicate rendering of a life smothered by overwhelming loss.Pub Date: Aug. 25, 2020
ISBN: 978-1-64421-007-9
Page Count: 224
Publisher: Seven Stories
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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