by Nancie Clare ‧ RELEASE DATE: March 6, 2018
A fascinating, little-known history on the evolution of an iconic city whose destiny was forever altered by a group of...
A focused overview of the people and events that shaped Beverly Hills.
Against a backdrop of the Roaring ’20s and the Prohibition Era, a scarcely addressed territorial skirmish simmered over the land now known as Beverly Hills. Journalist and media editor Clare writes passionately and knowledgeably about how a consortium of film celebrities known as the “Beverly Hills Eight”—spearheaded by silent film stars Mary Pickford and Douglas Fairbanks and including Will Rogers, Rudolph Valentino, and Tom Mix, among others—staked their careers on keeping the territory independent from annexation. In her enlightening, tight history lesson, the author retraces the area’s expansive legacy to its early roots as a lima bean plantation in the late 19th century, when two converging underground streams made the area farm-friendly, and then as an unproductive oil field at the beginning of the 1900s. Clare takes obvious pride in her research, particularly with the minute details of the region’s legacy. She casually dispels rumors about the real reasons the early motion picture industry migrated westward and the true origin of the Beverly Hills name (she offers no answer; it remains a mystery). Once Margaret Anderson constructed her iconic Beverly Hills Hotel and the young city began to face its challenges (water, the encroaching “decency brigade,” etc.), Pickford and Fairbanks established residency there, and the population boom began, which also made it ripe for hungry realtors eager to develop the land. Clare chronicles the diligent political spadework by Pickford, Fairbanks, and their group of eight, who all used their celebrity influence to advocate for the individuality of Beverly Hills and to “keep their Elysium intact and separate.” Thanks to the author’s solid research and intricate detail, this dedicated band of anti-annexationists receive a fitting commemoration.
A fascinating, little-known history on the evolution of an iconic city whose destiny was forever altered by a group of concerned celebrities.Pub Date: March 6, 2018
ISBN: 978-1-250-12134-9
Page Count: 288
Publisher: St. Martin's
Review Posted Online: March 12, 2018
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by Rickie Solinger ‧ RELEASE DATE: Oct. 2, 1994
Though she has a superb story, Solinger never quite finds the voice with which to tell it. Despite these rough edges, well...
Solinger's (Wake Up, Little Susie, 1992) biography of abortionist Ruth Barnett introduces us to a compelling character and to the underdocumented history of illegal abortion before Roe v. Wade.
Between 1918 and 1968, Ruth Barnett performed some 40,000 abortions in Portland, Oreg. Her life story reveals as simplistic the popular stereotype of illegal abortionists as unscrupulous, predatory opportunists indifferent to women's health and safety. Although Barnett lived well and flamboyantly, she was also motivated by a profound desire to help those in need. All her life, she acknowledged that her work was illegal but insisted that abortion should be a woman's personal decision. Indeed, she could not turn down women and girls who had no other options. Barnett's skills—she never lost a patient, and medical complications from her operations were extremely rare—were well-known to doctors throughout the Northwest, who frequently referred patients to her, and her antiseptic offices with up-to-date-equipment were hardly the dangerous, infection-ridden sites of current "back-alley'' mythology (though such outfits certainly did exist). Solinger manages to thoroughly engage the reader in Barnett's life without excessively lionizing her or retreating into revisionist polemics. This groundbreaking work should encourage further research on—and popular interest in—the pre-Roe abortionists. Unfortunately, Solinger's prose is inconsistent: at times too dry, at times overwritten and melodramatic. A plethora of mixed metaphors muddy the text, and awkward phrasing disrupts the narrative throughout.
Though she has a superb story, Solinger never quite finds the voice with which to tell it. Despite these rough edges, well worth the attention of anyone interested in the history of women's reproductive rights.Pub Date: Oct. 2, 1994
ISBN: 0-02-929865-2
Page Count: 250
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
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by James Welch with Paul Stekler ‧ RELEASE DATE: Oct. 24, 1994
In his first nonfiction work, noted Native American novelist Welch (The Indian Lawyer, 1990, etc.) stretches the boundaries of history. With the research assistance of Stekler, Welch offers a sweeping history of the American West based on work the pair did for their 1992 PBS documentary, The Last Stand. Though centered on the Battle of the Little Big Horn, in which warriors led by Crazy Horse and Sitting Bull defeated Custer's 7th Cavalry, the volume actually chronicles white/Indian contact and conflict from the voyage of Lewis and Clark in 1804 to the present—from the viewpoint of the Indians. Welch begins by describing the 1869 massacre of a band of his own Blackfeet people and his efforts to locate the forgotten site of the carnage. He then moves on to the story of Custer, a Civil War hero who was demoted following the war and sent to fight Indians on the Western frontier. His conduct at the Washita Massacre, during which he and his men wiped out Black Kettle's peaceful Cheyenne, called his abilities into question and demonstrated the character and leadership flaws that would help bring about his death eight years later. Brash, cavalier, and supremely confident, Custer embodied America's larger self-image. His death, in the worst military disaster of the Indian Wars, thus assumed mythic proportions, aided by a relentless publicity campaign by his widow. Welch traces the fates of Crazy Horse and Sitting Bull following the famous battle and uses accounts of such other engagements as Sand Creek and the Fetterman Massacre to help put Little Big Horn in historical perspective. A late chapter personalizes the text, as Welch tells the story of his mother and his early desire to become a writer. An excellent Native version of Bury My Heart at Wounded Knee: a sad tale that, despite momentary triumphs like Little Big Horn, could not but end tragically for the Indians. (Author tour)
Pub Date: Oct. 24, 1994
ISBN: 0-393-03657-X
Page Count: 288
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
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