An intricately plotted tale that draws readers in and makes French history come alive.
A novel chronicles one man’s fictional journey through the tumultuous second half of the 19th century in Paris.
Charles Fabron of Rouen has a thriving architectural practice and a beautiful young wife, Louisa, pregnant with twins. But it all comes crashing down when Louisa dies in childbirth along with the twin boys. Devastated, Charles reluctantly accepts a position in Paris with the dynamic Baron Haussmann, the emperor’s right-hand man overseeing a complete tearing down and rebuilding of the City of Light. Charles is angry to be named supervisor of demolition, but Haussmann’s legendary charm wins him over, and he throws himself into the work, which he finds that he enjoys and which helps him heal. One day, Daniel Lazare, a young boy, shows up, recommended as a runner, a messenger among all the projects. He proves himself almost indispensable and well liked. But suddenly, he is accused, falsely, of theft, and no matter how personable he is, it is well known in Paris that orphans and runaways like Daniel are robbers and liars. He takes off. The rest of the book is a hunt for him on Charles’ part and also the revelation that the architect has really been a puppet in his own life. Joaquim, a graceful writer, makes the most of an exciting period in French history—first the Second Empire, then the Prussian siege of Paris, and finally the Commune. Haussmann is toppled, becomes hated, and the Communards try to destroy his magnificent work. But the real story is the relationship between Charles and this mysterious boy who has disappeared. Readers follow Charles into old age, into what Milton called “calm of mind, all passion spent.” As Charles reflects, “A garden is like life. It never turns out quite the way you want it to.” But in the author’s poetic treatment, readers get a wonderful Dickensian denouement that glosses over some of the dicey coincidences. Readers will forgive Joaquim those improbable twists because they will want to believe in the characters and have love reaffirmed.
An intricately plotted tale that draws readers in and makes French history come alive.Pub Date: Jan. 22, 2022
ISBN: 978-1-7377559-0-6
Page Count: 321
Publisher: Montrose Hall
Review Posted Online: Dec. 1, 2021
Kirkus Reviews Issue: Jan. 15, 2022
Review Program: Kirkus Indie
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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