An intricately plotted tale that draws readers in and makes French history come alive.
A novel chronicles one man’s fictional journey through the tumultuous second half of the 19th century in Paris.
Charles Fabron of Rouen has a thriving architectural practice and a beautiful young wife, Louisa, pregnant with twins. But it all comes crashing down when Louisa dies in childbirth along with the twin boys. Devastated, Charles reluctantly accepts a position in Paris with the dynamic Baron Haussmann, the emperor’s right-hand man overseeing a complete tearing down and rebuilding of the City of Light. Charles is angry to be named supervisor of demolition, but Haussmann’s legendary charm wins him over, and he throws himself into the work, which he finds that he enjoys and which helps him heal. One day, Daniel Lazare, a young boy, shows up, recommended as a runner, a messenger among all the projects. He proves himself almost indispensable and well liked. But suddenly, he is accused, falsely, of theft, and no matter how personable he is, it is well known in Paris that orphans and runaways like Daniel are robbers and liars. He takes off. The rest of the book is a hunt for him on Charles’ part and also the revelation that the architect has really been a puppet in his own life. Joaquim, a graceful writer, makes the most of an exciting period in French history—first the Second Empire, then the Prussian siege of Paris, and finally the Commune. Haussmann is toppled, becomes hated, and the Communards try to destroy his magnificent work. But the real story is the relationship between Charles and this mysterious boy who has disappeared. Readers follow Charles into old age, into what Milton called “calm of mind, all passion spent.” As Charles reflects, “A garden is like life. It never turns out quite the way you want it to.” But in the author’s poetic treatment, readers get a wonderful Dickensian denouement that glosses over some of the dicey coincidences. Readers will forgive Joaquim those improbable twists because they will want to believe in the characters and have love reaffirmed.
An intricately plotted tale that draws readers in and makes French history come alive.Pub Date: Jan. 22, 2022
ISBN: 978-1-7377559-0-6
Page Count: 321
Publisher: Montrose Hall
Review Posted Online: Dec. 1, 2021
Kirkus Reviews Issue: Jan. 15, 2022
Review Program: Kirkus Indie
BOOK REVIEW
I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').
Pub Date: May 1, 1997
ISBN: 1-888363-43-6
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
A touching novel about loss with a magical and mystical flourish.
A young man helps the living and dead meet one last time under the full moon.
Japanese bestseller Tsujimura’s quiet novel follows a mysterious teenager known as the go-between, who can set up meetings between the living and the dead. An introverted woman wants to meet the television star with whom she has a parasocial relationship. A cynical eldest son hopes to visit his mother about their family business. A devastated high schooler fears she is responsible for her friend’s tragic death. And, finally, a middle-aged workaholic finally feels ready to find out if his fiancée, who disappeared seven years ago, is dead. Each character has a uniquely personal reason for seeking out the deceased, including closure and forgiveness, as well as selfishness and fear. Imbued with magic and the perfect amount of gravitas, there are many rules around these meetings: Only the living can make requests and they can only have one meeting per lifetime. Additionally, the dead can deny a meeting—and, most importantly, once the dead person has met with a living person, they will be gone forever. With secrets shared, confessions made, and regrets cemented, these meetings lead to joy and sorrow in equal measure. In the final chapter, all of these visits—and their importance in the go-between’s life—begin to gracefully converge. As we learn the go-between’s identity, we watch him struggle with the magnitude and gravity of his work. At one point, he asks: “When a life was lost, who did it belong to? What were those left behind meant to do with the incomprehensible, inescapable loss?” Though the story can be repetitive, Tsujimura raises poignant and powerful questions about what the living owe not only the dead, but each other; and how we make peace with others and ourselves in the wake of overwhelming grief.
A touching novel about loss with a magical and mystical flourish.Pub Date: Aug. 26, 2025
ISBN: 9781668099834
Page Count: 272
Publisher: Scribner
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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