A new, different twist on familiar Brando stories.
With her debut memoir, Marlon Brando’s former executive assistant delivers a chatty tell-all about the often erratic Hollywood legend.
Peardon’s life story may cause readers to ask: Why would an intelligent, energetic and attractive young woman be friends with a man who once locked her in the trunk of a car for fun and threatened to cut her hand with a knife—even if his name was Marlon Brando? Gossip about the late actor’s troubled family life and accusations of his abusive behavior toward women are nothing new, but this memoir isn’t intended as another scathing account of the Hollywood icon. Instead, it’s a loving—and gushing—tribute to a friend, warts and all. Peardon met Brando in the late 1970s, when she was 20 and working as an assistant at her father’s dental office; Brando, in his 50s, was a patient. They were immediately attracted to each other, writes Peardon, but Brando wouldn’t have sex with her, he said, because he liked her father. Thus began their “on again off again” 28-year platonic friendship, during which Peardon sometimes worked for the difficult Brando; he fired her twice. The author writes about Brando with fawning adoration, quick to forgive and point out his good qualities, such as his commitment to civil rights issues. In some ways, Brando seems to have been a father figure to her, especially after her own father committed suicide; according to Peardon, her conversations with Marlon Brando helped her through many life challenges, including her divorce. The book re-creates dialogue between Peardon and Brando, which makes for a vivid, easy read, and also includes a few pictures, letters and handwritten notes from Brando himself. Alice Marchak, Brando’s personal assistant for 50 years, offers a tougher, more inside look into the legend’s day-to-day life in her 2008 memoir Me and Marlon, but hard-core fans may appreciate Peardon’s wide-eyed adulation.
A new, different twist on familiar Brando stories.Pub Date: April 3, 2013
ISBN: 978-0988455719
Page Count: 320
Publisher: The Falcon Press
Review Posted Online: March 22, 2013
Review Program: Kirkus Indie
This early reader is an excellent introduction to the March on Washington in 1963 and the important role in the march played by Martin Luther King Jr. Ruffin gives the book a good, dramatic start: “August 28, 1963. It is a hot summer day in Washington, D.C. More than 250,00 people are pouring into the city.” They have come to protest the treatment of African-Americans here in the US. With stirring original artwork mixed with photographs of the events (and the segregationist policies in the South, such as separate drinking fountains and entrances to public buildings), Ruffin writes of how an end to slavery didn’t mark true equality and that these rights had to be fought for—through marches and sit-ins and words, particularly those of Dr. King, and particularly on that fateful day in Washington. Within a year the Civil Rights Act of 1964 had been passed: “It does not change everything. But it is a beginning.” Lots of visual cues will help new readers through the fairly simple text, but it is the power of the story that will keep them turning the pages. (Easy reader. 6-8)
Pub Date: Jan. 1, 2001
ISBN: 0-448-42421-5
Page Count: 48
Publisher: Grosset & Dunlap
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2000
Sedaris’s sense of life’s absurdity is on full, fine display, as is his emotional body armor. Fortunately, he has plenty of...
Known for his self-deprecating wit and the harmlessly eccentric antics of his family, Sedaris (Me Talk Pretty One Day, 2000, etc.) can also pinch until it hurts in this collection of autobiographical vignettes.
Once again we are treated to the author’s gift for deadpan humor, especially when poking fun at his family and neighbors. He draws some of the material from his youth, like the portrait of the folks across the street who didn’t own a TV (“What must it be like to be so ignorant and alone?” he wonders) and went trick-or-treating on November first. Or the story of the time his mother, after a fifth snow day in a row, chucked all the Sedaris kids out the door and locked it. To get back in, the older kids devised a plan wherein the youngest, affection-hungry Tiffany, would be hit by a car: “Her eagerness to please is absolute and naked. When we ask her to lie in the middle of the street, her only question was ‘Where?’ ” Some of the tales cover more recent incidents, such as his sister’s retrieval of a turkey from a garbage can; when Sedaris beards her about it, she responds, “Listen to you. If it didn’t come from Balducci’s, if it wasn’t raised on polenta and wild baby acorns, it has to be dangerous.” But family members’ square-peggedness is more than a little pathetic, and the fact that they are fodder for his stories doesn’t sit easy with Sedaris. He’ll quip, “Your life, your privacy, your occasional sorrow—it’s not like you're going to do anything with it,” as guilt pokes its nose around the corner of the page. Then he’ll hitch himself up and lacerate them once again, but not without affection even when the sting is strongest. Besides, his favorite target is himself: his obsessive-compulsiveness and his own membership in this company of oddfellows.
Sedaris’s sense of life’s absurdity is on full, fine display, as is his emotional body armor. Fortunately, he has plenty of both.Pub Date: June 1, 2004
ISBN: 0-316-14346-4
Page Count: 288
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2004
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
