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THE RUNAWAY

From the Crow Stories series , Vol. 3

A satisfying finish, even as questions linger.

A boy leaves home due to circumstances that aren’t completely clear until the book’s conclusion.

This final installment in the Crow Stories trilogy features the familiar muted palette, Old West setting, and spare narrative of Vo’s previous books. Evocative illustrations, rendered in watercolor, ink, and acetone transfers of 19th-century newspaper clippings and posters, open on Jack, a light-skinned, dark-haired boy who “had many reasons to run, but when illness took his ma, that cinched it.” A sign for cholera prevention provides context. Jack is a resourceful traveler, sneaking onto a moving wagon and quenching his thirst at a woodland river. Two figures on horseback—concerned for his safety—bring him to their encampment, where he trades labor for food. The only clue to his mindset is a locket he holds dear with a photo of him and his sister. It is she, pale-skinned, with dark braids and wearing the orange scarf she sported in the second book in the series, The Ranger (2019), who finds him. A rust-colored tail visible at their reunion belongs to the fox Annie befriended. She explains that she had “many reasons” for being away so long but that she had always intended to come back for him. What links these titles other than the obvious? Perhaps each character is on a journey of grief, searching for the antidote. Is the outlaw in the first book possibly their father—one of his children’s “many reasons”?

A satisfying finish, even as questions linger. (Picture book. 5-8)

Pub Date: Aug. 6, 2024

ISBN: 9781773064017

Page Count: 44

Publisher: Groundwood

Review Posted Online: May 4, 2024

Kirkus Reviews Issue: June 1, 2024

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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HELLO, SUN!

Say hello to a relatable and rewarding early reader!

Fun with friends makes for a great day.

Norbit, a salmon-colored worm with a pink kerchief, joyfully greets the day and everyone he encounters. “Hello, friends! It’s time for fun with the sun! Let’s play!” He and his menagerie of forest pals—including the sun, who grows limbs and descends from the sky—exuberantly engage in various forms of physical activity such as jumping, going down a slide, spinning around, and watching the clouds go by. Young readers will readily relate, as these are games that most children are familiar with. As day turns to night, Norbit says farewell to Sun and welcomes Moon with an invitation to continue the fun. Watkins has created a vivid world of movement and merriment. Her illustrations feature bright bursts of color that match the energy of the text, with most sentences ending in an exclamation point. The author/illustrator incorporates many elements that make for an ideal early-reading experience (despite the use of a contraction or two): art free from clutter, text consisting of words with only one or two syllables, and repetition and recurring bits, such as a continued game of hide-and-seek with Sun. Inspired by never-before-seen sketches from the Dr. Seuss Collection archives at the University of California San Diego, this is the first title for Seuss Studios, a new imprint for original stories from “emerging authors and illustrators” who “honor Seuss’s hallmark spirit of creativity and imagination.”

Say hello to a relatable and rewarding early reader! (author's note) (Early reader. 5-8)

Pub Date: Jan. 7, 2025

ISBN: 9780593646212

Page Count: 48

Publisher: Seuss Studios

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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