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THE WEST

A NEW HISTORY IN FOURTEEN LIVES

A highly readable, vigorous repudiation of the Western-centric school of history.

A classical archaeologist examines the “grand narrative” of Western civilization and finds it wanting.

The Enlightenment may have had its good points, but as prizewinning British scholar Mac Sweeney notes, it was thoroughly racialized in its mania for classification, leaving little room in the rise of the West for “someone like me (female, mixed-race) [who] did not belong in a tradition personified by…elite white men.” The author argues convincingly that it was a departure from Greek and Roman senses of who they were and how they fit into the world. A modern portrait gallery of the products of those traditions would be the White European males whose images Mac Sweeney found enshrined in the Library of Congress, but the Greeks took it as a given that “a big part of being Greek was about doing Greek things in a Greek sort of way,” which did not involve being White, Black, or any other skin color so much as speaking and thinking Greek. As Mac Sweeney adds, Herodotus looked more to the East than to whatever might have qualified as the West in his day, when the second tradition, the Roman, was beginning to rise—and which was also not racialized nor particularly ethnocentric, its influences stretching to and from as far away as South Asia. Indeed, writes the author, despite the bleatings of latter-day Italian racists, the Romans, counterintuitively, “saw themselves as the descendants of refugees,” namely the Asian survivors of the siege of Troy. The clash-of-civilizations narrative—in part driven by a misreading of Herodotus, Mac Sweeney points out—is based on incorrect and harmful presumptions. Mac Sweeney paints on a broad canvas and introduces numerous little-known characters, from the Roman aristocrat Livilla to the African ruler Njinga of Angola. She builds on arguments by Edward Said and other contemporary critics of Western triumphalism, and she also examines the counternarratives offered by the likes of the Islamic State and China, which have their own intellectual problems.

A highly readable, vigorous repudiation of the Western-centric school of history.

Pub Date: May 23, 2023

ISBN: 9780593472170

Page Count: 352

Publisher: Dutton

Review Posted Online: Feb. 6, 2023

Kirkus Reviews Issue: March 1, 2023

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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