In a collection as rich as the subject, Nye (Come With Me, 2000, etc.) brings together all of her poems about the Middle East, old and new, familiar and unknown. Opening with a poem about a young man just released from prison on the morning of September 11th, she follows with a reflection on what that day has meant for everyone, especially for Arabs and Arab-Americans, who, through Nye, say: “This is not who we are.” She follows with exquisitely nuanced images of fig trees, grandmothers, Palestinian children, the loss of “pleasant pauses,” and “The Man Who Makes Brooms.” Asking “How Long Peace Takes,” Nye writes, “As long as the question—what if I / were you?—has two heads,” and answers a border guard, “We will eat cabbage rolls, rice with sugar and milk, / crisply sizzled eggplant. When the olives come / sailing past / in their little boat, we will line them on our / plates / like punctuation. What do governments have to do / with such pleasure?” Poem after poem will elicit a gasp of surprise, a nod of the head, a pause to reflect. There are no false steps here—only a feeling of sensory overload and a need to take a deep breath and reread or to find someone to share the intensely felt emotion that springs from the lines. In her closing poem, a musing on what one should have said, she writes, “Say it / as if words count.” With this gifted writer, they really do. (Poetry. 10+)
Pub Date: April 1, 2002
ISBN: 0-06-009765-5
Page Count: 160
Publisher: Greenwillow Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2002
Brief yet inspirational, this story will galvanize youth to use their voices for change.
Testa’s connection to and respect for nature compelled her to begin championing animal causes at the age of 10, and this desire to have an impact later propelled her to dedicate her life to fighting plastic pollution. Starting with the history of plastic and how it’s produced, Testa acknowledges the benefits of plastics for humanity but also the many ways it harms our planet. Instead of relying on recycling—which is both insufficient and ineffective—she urges readers to follow two additional R’s: “refuse” and “raise awareness.” Readers are encouraged to do their part, starting with small things like refusing to use plastic straws and water bottles and eventually working up to using their voices to influence business and policy change. In the process, she highlights other youth advocates working toward the same cause. Short chapters include personal examples, such as observations of plastic pollution in Mauritius, her maternal grandparents’ birthplace. Testa makes her case not only against plastic pollution, but also for the work she’s done, resulting in something of a college-admissions–essay tone. Nevertheless, the first-person accounts paired with science will have an impact on readers. Unfortunately, no sources are cited and the lack of backmatter is a missed opportunity.
Brief yet inspirational, this story will galvanize youth to use their voices for change. (Nonfiction. 12-18)Pub Date: Oct. 13, 2020
ISBN: 978-0-593-22333-8
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: July 26, 2020
Kirkus Reviews Issue: Aug. 15, 2020
Best enjoyed by preexisting fans of the author.
Deaf, trans artist Man meditates on his journey and identity in this brief memoir.
Growing up in conservative central Pennsylvania was tough for the 21-year-old Deaf, genderqueer, pansexual, and biracial (Chinese/White Jewish) author. He describes his gender and sexual identity, his experiences of racism and ableism, and his desire to use his visibility as a YouTube personality, model, and actor to help other young people like him. He is open and vulnerable throughout, even choosing to reveal his birth name. Man shares his experiences of becoming deaf as a small child and at times feeling ostracized from the Deaf community but not how he arrived at his current Deaf identity. His description of his gender-identity development occasionally slips into a well-worn pink-and-blue binary. The text is accompanied and transcended by the author’s own intriguing, expressionistic line drawings. However, Man ultimately falls short of truly insightful reflection or analysis, offering a mostly surface-level account of his life that will likely not be compelling to readers who are not already fans. While his visibility and success as someone whose life represents multiple marginalized identities are valuable in themselves, this heartfelt personal chronicle would have benefited from deeper introspection.
Best enjoyed by preexisting fans of the author. (Memoir. 12-18)Pub Date: June 1, 2021
ISBN: 978-0-593-22348-2
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 24, 2021
Kirkus Reviews Issue: April 15, 2021
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