Unexpectedly warm, intensely inspiring: a work for dreamers—and Leonard would say that means all of us.
Twelve lessons on how to become an artist and/or live your dream, as dictated by the author’s father, poet and teacher Leonard Wolf.
Feminist Naomi Wolf broke onto the literary scene as a young woman, producing The Beauty Myth (1991) when she was still in her 20s. No wonder—even her elementary-school poetry had been critiqued with rigor. And what a critic she must have had. Despite its having been mediated through his daughter’s words and stretched to fit every student, his philosophy makes Leonard Wolf come across with the force of a thunderbolt, as an electric, commanding teacher. He is, Wolf says, a man who has always lived outside of convention, one who still inspires everyone he comes across—students, colleagues, casual acquaintances—to listen to their “heart's wisdom.” Even the family’s building superintendent learned to follow his dreams after speaking with Leonard. Still, like most children, the author spent many years fleeing her father’s dictums, though now, as a parent and teacher herself, she is eager to absorb his philosophy. And so, over the course of a single summer, he shares with her his essential lesson plan. His lessons—“Use Your Imagination,” “Do Nothing Without Passion,” “Pay Attention to the Details,” “Your Only Wage Will be Joy”—are illustrated by scenes from his life, challenges Wolf faces with her own students, and the Wolfs’ combined efforts to construct a solid tree house for Naomi’s daughter. Leonard’s peripatetic life, even without the accompanying philosophy, would make for good reading, and Naomi’s childhood, too, is unexpectedly entertaining, colored as it was by Leonard’s follow-your-heart philosophy. For cultural gossips, her story should be interesting if only for the glimpse of the fiery Naomi Wolf longing for a way to soften her voice and become a better listener.
Unexpectedly warm, intensely inspiring: a work for dreamers—and Leonard would say that means all of us.Pub Date: May 1, 2005
ISBN: 0-7432-4977-1
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2005
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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