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GERONIMO’S BONES

A MEMOIR OF MY BROTHER AND ME

Writing for the purpose of finding a way back into the grotesque swarm of horrors and a way forward to give a whole new...

Back to the land of pure evil that Nasdijj revisited previously (The Boy and the Dog Are Sleeping, 2003, etc.), for no other word can describe his youth.

Yet here, readers will also witness an incantational summoning, as in a streaming prose poem, of the lifelines that saw Nasdijj and his brother Tso through. There was a grandfather and there were the prostitutes his father brought home, each of whom offers advice and protection against a cold, mad father: “What he took from us was any enjoyment or delight we might have had at any time in our lives upon this earth.” Their father was a raging and enraged alcoholic who beat them mercilessly and raped them. “He swore he loved me. But it wasn’t true. You cannot love the thing you would destroy.” His mother, a Navajo and also an alcoholic, “loved us. Imperfectly. But she loved us.” She died when he was eight; that left them, quite unfortunately, with their father. But there were the strangers who took them in and the tender love and enveloping cloak Nasdijj threw around Tso as best he could. There were also the native stories that Nasdijj gathered; and there was Geronimo, whose spirit offered cold comfort—“My children all rode with me,” Geronimo said. Nasdijj asks: “Even the dead ones, they rode with you?” “Even the dead ones”—but comfort is where you can get it. Nasdijj will see the children in his life die, too, and they still ride with him. And Nasdijj is not well and may be joining them soon.

Writing for the purpose of finding a way back into the grotesque swarm of horrors and a way forward to give a whole new breadth to the meaning of survival.

Pub Date: April 1, 2004

ISBN: 0-345-45391-3

Page Count: 336

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2004

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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