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THE CONGRESSMAN WHO GOT AWAY WITH MURDER

Sex, power, and crime add up to the ultimate tabloid scandal. But the 1990's, with its focus on the alleged misbehavior of the Kennedys, has no monopoly on same, as demonstrated in this entertaining narrative by Brandt, a former editor at American Heritage and Publishers Weekly. As with his two other arrestingly titled works, The Town That Started the Civil War (1990) and The Man Who Tried to Burn New York (1986), Brandt focuses on a sensational incident in the era surrounding the Civil War. In February 1859, disturbed by the revelation of his beautiful wife's adultery, Congressman Daniel Sickles of N.Y.C. fatally shot her lover. The ``Washington Tragedy,'' as it came to be called, gained additional notoriety because of the principals: Victim Philip Barton Key was a notorious philanderer, US District Attorney for the District of Columbia, and son of the composer of ``The Star-Spangled Banner,'' while Sickles was a leading Tammany Hall politician and confidant of President James Buchanan (who, directly and indirectly, sought to influence the trial's outcome). Despite the fact that 12 people witnessed the murder and that Sickles had affairs of his own to account for, Sickles's lawyers (including Abraham Lincoln's future secretary of war, Edwin Stanton) won an acquittal by extensively cataloguing the lovers' indiscreet liaisons and by pleading temporary insanity—the first time such a defense was successfully used. Astonishingly, Washington society lionized the politician following his court victory, only to ostracize him later for forgiving his wife and living with her again. In an all-too-brief postscript, Brandt details Sickles's equally flamboyant postscandal career as a Union general (he made a questionable troop-deployment decision at Gettysburg and lost his leg in the battle). A fascinating case study of the law, capital society, and sexual morality in the mid-Victorian period. (Fourteen b&w illustrations.)

Pub Date: Nov. 25, 1991

ISBN: 0-8156-0251-1

Page Count: 296

Publisher: Syracuse Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1991

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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