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JAZZ IS

A collection of quotes and anecdotes loosely organized around eleven influential personalities (Ellington, Holiday, Armstrong, Wilson, Mulligan, Davis, Mingus, Parker, Coltrane, Taylor, and Barbieri), some recent developments, and "the political economy of jazz"—a chapter title as misleading as the book's. Aficionados will find many famous vignettes along with a few previously unrecorded ones and corrections of misrecorded ones. But after more than thirty years writing everything from liner notes to novels about jazz, Hentoff's awed fan stance gets him no closer to a definition of it than his previous efforts. Now a Village Voice columnist on politics and civil liberties, his take on racial and cultural factors lacks the passion and scholarship of LeRoi Jones' Blues People and Black Music; his biographical data the depth of A. B. Spellman's Black Music: Four Lives; and his criticism the precision of Whitney Balliett's Ecstasy at the Onion or Martin Williams' fine The Jazz Tradition. Hentoff borrows from some of these and various biographies and autobiographies, making Jazz Is almost a sampler, worthwhile more as introduction than source book. Since there is no writer who has brought it all together for jazz the way, say, Edwin Denby has for dance, young readers and newcomers might use this book as a catalogue from which future reading and listening can be chosen.

Pub Date: Sept. 28, 1976

ISBN: 0879100036

Page Count: 372

Publisher: Random House

Review Posted Online: April 3, 2012

Kirkus Reviews Issue: Sept. 1, 1976

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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