Intricate, nuanced, and empowering.
Stifled by her loving but repressive parents, a teen endeavors to take charge of her own life.
Seventeen-year-old Verónica Rentería’s parents forbid many things, especially promiscuity—which includes any romantic gesture, however innocent, leading Vero to feel ashamed of her own desires. But above all, she and her younger sister, Dani, must never attract attention; her family immigrated to Florida from Peru when Vero was small, and her parents caution that their permanent resident status is tenuous. Vero feels constant pressure to make their sacrifices worthwhile, but she can’t help standing out: Numerous surgeries for her hip dysplasia have left her with scars. And ever since her parents caught her making out with a boy, they’ve treated her like she’s “impossible to scrub clean.” Even her body is out of her control since her parents handle all of her medical decisions. Swimming is her only freedom, and Vero idolizes the aquatic performers at Mermaid Cove, a popular tourist attraction. So when Mermaid Cove advertises auditions, she wonders: Could becoming a mermaid enable her to finally tell her own story? Sylvester, who has hip dysplasia herself, poignantly braids multiple issues into Vero’s angry, vulnerable, and lyrical narration, including disability, sexism, and biculturalism. Vero’s messy but supportive relationship with Dani compassionately acknowledges the friction that can arise between disabled and nondisabled siblings, and her romance with Mexican American Alex, who deals with depression, gently explores trust and self-discovery.
Intricate, nuanced, and empowering. (author’s note) (Fiction. 14-18)Pub Date: May 10, 2022
ISBN: 978-0-358-53686-4
Page Count: 352
Publisher: Clarion/HarperCollins
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
PERSPECTIVES
PERSPECTIVES
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
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