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OVER THE MOON

The themes of facing fears and questioning authority are laudable, but even a feisty disabled narrator on a flying horse...

A girl with a missing arm must question everything she knows to save her brother.

The poverty-stricken citizens of Coal Top, high atop Forgotten Mountain, must “live the stories [they’re] given.” Once upon a time, Weavers wove wonderful dreams from starlight—until clouds of mood-darkening Dust blotted the stars. Now, by order of the ruling, all-male Guardians, boys must labor in the mines Down Below, and girls become maids for rich valley families. But 12-year-old Mallie Ramble, a self-described “fire-popper in a glass jar” with an orange prosthetic arm (a “universal color” that matches no one’s actual skin tone), vows to save her sweet-as-pie little brother from laboring Down Below to pay the Rambles’ debts. With remarkable luck, Mallie joins a group of “brave and wiry young fellers” invited to risk their lives on flying horses for chances at “riches untold.” Her realistic self-consciousness must become self-confidence, however, when she discovers a nefarious plot. Despite occasionally lyrical turns of phrase, Lloyd ultimately leaves little for readers to imagine. Heroes are as distinct from villains as starlight is from Dust; the simplistic contrast of pure good and pure evil turns the ending trite and cloyingly sweet. Though Mallie says she’s “met all kinds of people, who look all kinds of different ways,” racial distinctions are largely unspoken; a gender-nonconforming secondary character with two different-colored eyes is 3 feet tall.

The themes of facing fears and questioning authority are laudable, but even a feisty disabled narrator on a flying horse can’t quite soar over their heavy-handed execution. (Fantasy. 8-12)

Pub Date: March 26, 2019

ISBN: 978-1-338-11849-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: Nov. 20, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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THE LION OF LARK-HAYES MANOR

A pleasing premise for book lovers.

A fantasy-loving bookworm makes a wonderful, terrible bargain.

When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)

A pleasing premise for book lovers. (Fantasy. 9-12)

Pub Date: May 2, 2023

ISBN: 9780316448222

Page Count: 320

Publisher: Little, Brown

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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THE VERY, VERY FAR NORTH

Quirky and imaginative—postmodern storytelling at its best.

Friendly curiosity and a gift for naming earn a polar bear an assortment of (mostly animal) friends, adventures, mishaps, and discoveries.

Arriving at a northern ocean, Duane spies a shipwreck. Swimming out to investigate, he meets its lone occupant, C.C., a learned snowy owl whose noble goal is acquiring knowledge to apply “toward the benefit of all.” Informing Duane that he’s a polar bear, she points out a nearby cave that might suit him—it even has a mattress. Adding furnishings from the wreck—the grandfather clock’s handless, but who needs to tell time when it’s always now?—he meets a self-involved musk ox, entranced by his own reflection, who’s delighted when Duane names him “Handsome.” As he comes to understand, then appreciate their considerable diversity, Duane brings out the best in his new friends. C.C., who has difficulty reading emotions and dislikes being touched, evokes the autism spectrum. Magic, a bouncy, impulsive arctic fox, manifests ADHD. Major Puff, whose proud puffin ancestry involves courageous retreats from danger, finds a perfect companion in Twitch, a risk-aware, common-sensical hare. As illustrated, Sun Girl, a human child, appears vaguely Native, and Squint, a painter, white, but they’re sui generis: The Canadian author avoids referencing human culture. The art conveys warmth in an icy setting; animal characters suggest beloved stuffed toys, gently reinforcing the message that friendship founded on tolerance breeds comfort and safety.

Quirky and imaginative—postmodern storytelling at its best. (Animal fantasy. 8-12)

Pub Date: Sept. 10, 2019

ISBN: 978-1-5344-3341-0

Page Count: 272

Publisher: Atheneum

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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