A musical treat for parents as well as their children.
An American singer-songwriter’s two-CD album becomes a children’s poetry collection.
For her 2010 hit album with the same title, Merchant composed music for 30 19th- and 20th-century British and American poems, some written for children and some written about childhood. For this volume, she’s selected 19 of those poems (18 from the CD set and one other), describing them as “representing the long conversation I had with my daughter during the first six years of her life.” Both traditional and modern in style, they range widely in subject and mood. There are examples of wordplay by Prelutsky and Nash, nursery rhymes, verses by Stevenson and Lear, poems by cummings and Graves and more. Not all the texts, nor their authors, will be familiar. Not really “classic,” but classy, what they have in common is splendid language and McClintock’s engaging illustrations. Done with pen and ink and gently colored (except for a flamboyantly dressed giantess resting against a red velvet curtain), these detailed drawings add to the old-fashioned look. They vary from tiny vignettes and character sketches to scenes stretching across a spread. The end matter includes black-and-white photographs of the poets as well as music credits for the special-edition CD that will be included.
A musical treat for parents as well as their children. (Poetry/CD. 5 & up)Pub Date: Nov. 13, 2012
ISBN: 978-0-374-34368-2
Page Count: 48
Publisher: Frances Foster/Farrar, Straus & Giroux
Review Posted Online: Sept. 18, 2012
Kirkus Reviews Issue: Oct. 15, 2012
An adventurous work whose authentic voice celebrates the outdoors and everyday heroism.
A summer spent summiting the Adirondacks allows a teenager to reckon with grief.
Thirteen-year-old Finn Connelly’s summer is off to a rocky start. In addition to several incomplete class assignments—including a poetry project about heroes—he’s facing vandalism charges after an angry outburst at the local cemetery. To avoid paying thousands in fines that his family can’t spare, he reluctantly agrees to the proffered alternative: climbing all 46 Adirondack peaks over 4,000 feet by Labor Day accompanied by Seymour, the enthusiastic dog who belonged to the woman whose headstone he damaged. As Finn attempts the hikes, he wrestles with what it means to be a hero, a term often used for his deceased father, a local hockey legend, New York City firefighter, 9/11 first responder, and paramedic who died on the front lines of the Covid-19 pandemic. This verse novel is engaging and easy to follow. It encompasses varied structures, like haiku, sonnet, and found poetry. Other ephemera, such as letters, recipes, and school progress reports, create visual breaks evocative of a commonplace book. The first-person narration vividly conveys a disgruntled teenager’s feelings, including moments of humor and contemplation. The novel wrestles with loss and legacy intertwined with weighty events, challenges, and themes—PTSD, alcoholism, toxic masculinity—and their resulting impact on Finn’s emotional well-being. The supporting characters are encouraging adult role models. Characters present white.
An adventurous work whose authentic voice celebrates the outdoors and everyday heroism. (author’s note) (Verse fiction. 10-14)Pub Date: April 29, 2025
ISBN: 9781547616398
Page Count: 288
Publisher: Bloomsbury
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Lovely pictures newly elucidate this renowned, euphonious work.
A picture-book adaptation of Frost’s pensive poem.
Its four rhyming quatrains are divided into six couplets interleaved with several wordless double spreads; the last four lines each appear on a separate page. Notably, Lynch visually subverts several of the poem’s customary narrative interpretations, depicting a young, light-skinned rider astride a dappled gray horse. While the poem’s line “He gives his harness bells a shake” implies a horse-drawn wagon, Lynch supplies a bell-trimmed bridle instead. Such innovations shift the poem’s authorial voice away from that of the venerable poet, adding a fresh layer of mystery to the purpose of this traveler’s journey. The narrator’s clothing, suggestive of the late 19th or early 20th century, includes a long dress, a belted jacket, a sturdy, wide-brimmed hat, and thick work gloves; a bedroll is stowed behind the saddle. Where the poem mildly personifies the horse, who “must think it queer / To stop without a farmhouse near,” Lynch depicts the dismounted rider fondly cradling the animal’s head as twin puffs of breath exit his nostrils. Belying this “darkest evening of the year,” Lynch illuminates the blue-grays of snow-laden conifers and frozen lake with a pallid gold winter sunset and a fleeting moon. Variable perspective—from bird’s-eye to close-up—bestows a quasi-cinematic sense as the coming dawn draws the rider’s furtive look. Endpapers bracket the journey, from twilit village to sunup, horse and rider long gone. (This book was reviewed digitally.)
Lovely pictures newly elucidate this renowned, euphonious work. (Picture book/poetry. 5-10)Pub Date: Nov. 8, 2022
ISBN: 978-1-5362-2914-1
Page Count: 32
Publisher: Candlewick
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
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