An exploration of the lengths to which society will go to subdue a powerful woman.
Three generations of sartorially inclined women struggle to make their marks on the world.
Through alternating viewpoints, Lester weaves together the stories of Mizza, Astrid, and Blythe Bricard, who were all involved in the fashion industry. First up chronologically is Mizza, the only character based loosely on a real person; she’s Christian Dior’s assistant and muse and, likely ahistorically, a member of the Resistance in Nazi-occupied Paris. Next up is Mizza’s daughter, Astrid Bricard, a talented designer the media sees only as the muse and lover of Hawk Jones, a designer wunderkind à la Halston minus the ego. Finally there’s Blythe Bricard, Astrid and Hawk’s daughter, who was abandoned by both her famous parents and has cast her sustainable-fashion dreams aside in order to raise her two children as a single mother. Astrid’s disappearance (murder?) at the 1973 Versailles designer face-off between France and America is the central mystery of the novel. But it’s the chapters exploring Astrid’s tumultuous rise and fall, as well as her relationship with Hawk—which Lester writes with heartbreaking tenderness—that form the heart of the novel. Unfortunately, Mizza’s plot is somehow the most superficial of the three, despite the Nazi fighting. That being said, Blythe’s and Astrid’s stories more than make up for that weakness, and Lester deftly delivers a scathing critique of the lies that are told to keep women in their place: “What if this is all there is? [Astrid wonders.] Her always scrabbling at the base of a mountain, knocked back by an avalanche of misogyny.”
An exploration of the lengths to which society will go to subdue a powerful woman.Pub Date: Jan. 30, 2024
ISBN: 9781538706954
Page Count: 464
Publisher: Forever
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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