A tender meditation on the unseen moments that shape history and the human spirit.
A deathbed confession opens into a journey through the history of the Philippines and a nuanced exploration of deep spiritual questions.
From a hospital bed where he is suffering complications from kidney surgery, Angelito Macaraeg begins a letter to his estranged son. Lito insists that he simply intends to tell “a good story”—something that might be useful for his son’s career as an American journalist. However, the deeper Lito delves into his memories, the more apparent becomes his struggle to make peace with the past. As Lito tells the story of his youth in the Philippines, he recounts his mother's murder, his father’s frequent disappearances, a troubling experience in the mountains at a Communist camp run by a retired “magical” priest, the experience of falling in love with his son’s mother and the circumstances that led to their estrangement. He also relives his formative experiences as a chauffeur for Corazon Aquino, who led the People Power Revolution of 1986 and later became president of the Philippines after her husband’s assassination. At the center of Lito’s reckoning with the past is a secret meeting between Mrs. Aquino and Imelda Marcos, the wife of dictator Ferdinand Marcos, whose extravagant lifestyle earned her the unofficial title “the Lady of the Thousand Shoes.” There is something almost Kierkegaard-ian in the way Go weaves together fictional narrative and nuanced explorations of forgiveness, redemption, guilt, and commitment to one’s ideals. His attention to historical detail breathes life into the novel’s philosophical inquiry, which avoids didacticism while striking at the heart of some of the most pressing questions of the human condition. Despite its often dramatic subject matter, Go’s narrative burns slowly, gracing the novel with an understated yet profound power.
A tender meditation on the unseen moments that shape history and the human spirit.Pub Date: June 13, 2023
ISBN: 9780374606947
Page Count: 240
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 10, 2023
Kirkus Reviews Issue: May 1, 2023
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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