A well-researched, thought-provoking reconsideration of society’s sacred cows.
A researcher explores the power of ideas in this debut nonfiction book.
“Ideas,” writes Murphy, “cut the fabric of our being and determine who we are.” With a focus on the ideas that shape our actions, beliefs, and notions of family, the author contends that the question of “Whose Ideas Am I?” is far more important than the more ubiquitous rumination, “Who Am I?” Per the author, some of modern society’s primary assumptions—such as the idea that wearing a collared shirt with a knotted tie somehow transforms a middle-aged man into a professional—would be mocked by societies with other ideas of success. While pointing out some of the absurdities baked into daily life, Murphy is particularly effective at highlighting our propensity to accept bad ideas. From Aztec heart sacrifices and European religious wars to the rampant consumerism that drives today’s society, it’s clear to the author that “practical realities created by our imagination are not always wonderful.” (Murphy writes that consumerism is an “antisocial ideology” undergirded by the flawed assumptions that “new is always better than old” and “want supersedes need.”) While the author, the founder and lead researcher at the think tank Prepolitica, has long focused on the ways in which political ideologies hamper data-driven policy, this book is interdisciplinary in its approach. The cogent narrative, backed by 350 scholarly endnotes, draws on 21st-century neuroscience and evolutionary biology and incorporates lessons from sociology, history, and anthropology. Geared toward practical solutions—a central argument of the book is that “abstracted life is miserable, lonely, and stressful”—the work concludes with a list of pragmatic ways to help readers better examine and potentially move beyond counterproductive ideas. At just under 165 total pages and full of drawings, diagrams, photographs, and other visual aids, this is an accessible book that strikes a fine balance between academic research and engaging prose. Readers driven by political, religious, or other ideologies will be challenged—the book is a good reminder to question the conventions that shape our lives.
A well-researched, thought-provoking reconsideration of society’s sacred cows.Pub Date: May 1, 2024
ISBN: 9781068611001
Page Count: 306
Publisher: Arc_titru
Review Posted Online: May 14, 2024
Kirkus Reviews Issue: July 1, 2024
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
