Smart and funny, Newman’s debut is a refreshing take on juvenilia and the enduring potency of art discourse.
A wayward 20-something art critic discovers a great deal about himself and his hometown in pursuit of a missing package.
The inciting incident for debut author Newman’s raucous first novel is a simple mix-up of the Royal Mail. Natwest, a once-precocious English teen and aspiring art critic, has aged into a pretentious young adult finally headed off to university. The morning before departing his small town for the big city, Natwest anxiously awaits the arrival of a discreet package of particular length and girth, only to inadvertently swap parcels at the post office with his mother’s employer, dentist Dr. Richard Hung (pun very much intended). As Natwest attempts to recoup his item, his path intersects with a number of seemingly minor characters whose roles gradually assume greater importance: Mrs. Pandey, a former teacher who fostered young Natwest’s potential; Joan, a widower across the street who’s getting back into the dating scene; and Mishaal, a local imam enduring an unhappy marriage. Newman expertly threads together the minor events and small mishaps of the characters’ lives in a convincing recreation of the inescapable social overlap that often defines life in a small town. Underlying it all is a preoccupation with beauty and the value of art. Natwest obsessively sees references everywhere: His mother in an orange nighty recalls “Leighton’s Flaming June”; the stares of disapproving neighbor boys “pierced him like the arrows in a St. Sebastian picture.” More than motifs, artistic legacies are also the source of much of the book’s humor—at one point, Natwest imagines Geoff Dyer attending his funeral. Newman works in more profound interactions as well. Reconnecting on a park bench, Natwest and former mentor Mrs. Pandey debate the artistic merits of a nail salon mural painted in the style of Michelangelo’s Creation of Adam, the outstretched fingers on each figure sporting pink nail polish: It’s Žižekian, it’s Jungian, it’s Pop Art in situ, “Warhol’s soup cans, restored to the Asda aisle.” In seeking to balance intelligent prose, insightful commentary, and compelling characters, Newman delivers.
Smart and funny, Newman’s debut is a refreshing take on juvenilia and the enduring potency of art discourse.Pub Date: Aug. 13, 2024
ISBN: 9780593654903
Page Count: 288
Publisher: Viking
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
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