Sven’s ugliness is only skin-deep, and readers will love the beauty and depth of his story.
A Swedish trapper relates his unique life with insights about friendship, hardship, and solitude.
Sven Ormson lives in a tiny cabin in Spitsbergen, a Scandinavian island with precious little between it and the North Pole. In 1917, he’d suffered grotesque injury to his face in a mining avalanche and acquired one of his nicknames, Sven One-Eye. Some turn away from the sight of him in disgust, though he has a circle of friends and family. “I resolved to spend my life alone,” he writes. So he’s drawn to the monastic life of a trapper and appears content with books, correspondence with his sister, Olga, and the occasional company of folks like the Scotsman Charles MacIntyre, who sees in Sven a “fellow bibliophile” perhaps “in need of a friend.” So Sven is seldom alone for long stretches. He is self-deprecating about “the topographic eccentricities” of his face that to some were a “nauseous curiosity.” But he seems not terribly bothered by it or by the fact that some call him Sven the Seal Fucker. “You look like a bear chewed you up and shat you out,” he’s told. “You were never very handsome to begin with.” Fortunately, he disdains pity, “the only thing worse than flagrant antagonism.” And he’s modest about his skills: “I trapped with something that outshone total incompetence,” sometimes proceeding “tentatively like an old lady upon cobblestones.” The arctic climes must breed self-reliance and toughness, which are evident even in Sven’s two dogs, memorable characters themselves. His first canine, Eberhard, is “a fractious, willful brute” that is sometimes his only companion. Meanwhile, Europe convulses in two world wars, and he’ll be lucky if the madness of civilization doesn’t affect him.
Sven’s ugliness is only skin-deep, and readers will love the beauty and depth of his story.Pub Date: Oct. 26, 2021
ISBN: 978-0-316-59255-0
Page Count: 336
Publisher: Little, Brown
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
Imperfect, yes, but intense, original, and smart.
A philosophical discourse inside an addiction narrative, all wrapped up in a quest novel.
Poet Akbar's debut in fiction features Cyrus Shams, a child of the Midwest and of the Middle East. When Cyrus was an infant, his mother, Roya, a passenger on a domestic flight in Iran, was killed by a mistakenly fired U.S. missile. His father, Ali, who after Roya died moved with Cyrus to small-town Indiana and worked at a poultry factory farm, has also died. Cyrus disappeared for a time into alcoholism and drugs. Now on the cusp of 30, newly sober but still feeling stuck in his college town, Cyrus becomes obsessed with making his life matter, and he conceives of a grand poetic project, The Book of Martyrs (at the completion of which, it seems, he may commit suicide). By chance, he discovers online a terminally ill Iranian American artist, Orkideh, who has decided to live out her final days in the Brooklyn Museum, having candid tête-à-têtes with the visitors who line up to see her, and Cyrus—accompanied by Zee, his friend and lover, who's understandably a bit alarmed by all this—embarks on a quest to visit and consult with and learn from her. The novel is talky, ambitious, allusive, deeply meditative, and especially good in its exploration of Cyrus as not being between ethnic or national identities but inescapably, radically both Persian and American. It succeeds so well on its own terms that the novel's occasional flaws—big coincidences, forays into other narrators that sometimes fall flat, dream-narratives, occasional small grandiosities—don't mar the experience in any significant way.
Imperfect, yes, but intense, original, and smart.Pub Date: Jan. 23, 2024
ISBN: 9780593537619
Page Count: 352
Publisher: Knopf
Review Posted Online: Sept. 26, 2023
Kirkus Reviews Issue: Nov. 1, 2023
SEEN & HEARD
PERSPECTIVES
SEEN & HEARD
An eccentric, well-written small-town novel jam-packed with appealing characters and their dreams.
When a photo booth–type machine in the grocery store starts spitting out predictions of people’s true callings, the residents of Deerfield, Louisiana, are deeply affected.
“In the way that aspiring novelists might like to imagine their work someday being discussed in a sophomore literature class…or the way philosophers like to chart the evolution of thought from Socrates to Plato to Jay-Z…Douglas also liked to imagine himself one day becoming part of some traceable lineage.” Douglas Hubbard, a happily married high school history teacher, has a fantasy of becoming a famous jazz trombone player. He’s even signed up for lessons. Unlike the other dreamers in his little town, he came up with this idea all by himself, on his 40th birthday. His wife and many of his neighbors, on the other hand, are carrying around little blue slips of paper produced by a machine called the DNAMIX. They say things like ROYALTY, CARPENTER, LOVER, and MAGICIAN, and because of them the school principal, the mayor, and many others in Deerfield are quitting their jobs, buying costumes, and planning major life changes. There’s something a little strange about Walsh’s follow-up to his remarkable first novel, My Sunshine Away (2015). On one hand, it has a warm, folksy, Fannie Flagg–type feeling, complete with John Prine references galore (the title is one) and a goofy touch of magic. On the other hand, like the author’s debut, it addresses very serious and disturbing issues. It opens with the death of a teenager, as experienced by his twin, and later adds intimations of a school shooting, a gang rape, and a terrible revenge plot. Both aspects are well handled, but do they really go together? When you get a bereaved dad dressed up in a ludicrous cowboy outfit intervening to rescue his son from being gunned down by the police you have to wonder.
An eccentric, well-written small-town novel jam-packed with appealing characters and their dreams.Pub Date: Sept. 8, 2020
ISBN: 978-0-7352-1848-2
Page Count: 384
Publisher: Putnam
Review Posted Online: April 12, 2020
Kirkus Reviews Issue: May 1, 2020
BOOK REVIEW
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