A must-read about the power of artistry over overt oppression.
A masterwork about forms of self-expression during the times of chattel slavery.
The National Museum of African American History & Culture and Smithsonian Books have produced what should be considered the definitive text for understanding Black people’s cultural contributions to world history and how the systemic implementation of slavery throughout the globe was and still is one of the key reasons for a significant amount of artifact conception and creation. Having over 30 contributors who proficiently speak to the horrors of slavery, colonialism, and capitalism, this masterpiece identifies how racially based atrocities and repulsive business decisions perilously affected millions of people in the United States, Brazil, England, South Africa, the Congo, and the many other countries involved with chattel slavery and its ramifications. Museum curators, experts, and academics contributed concise, informative, and limpidly written essays for this expertly produced anthology, which is as much a feat of graphic design as a spectacular work of nonfiction, mixing in its pages artistry, history, and personal testimony through a variety of visual, written, and aural narrative techniques. The book presents photographs of paintings, portraits, poetry, drawings, pottery, ironworks, tapestries and quilts, maps, jewelry, clothing, architecture, and more—all of which tell both the individual story of each creative person who produced the artifact and the collective story of the oppressed peoples who needed an outlet to express both their pain and their hope for a better future. The reader senses a certain catharsis from the writers themselves as they finally have an opportunity to tell the stories behind these moments of creative genius, whether they stemmed from a need for self-expression or religious epiphany or archival purpose or abject protest; the contributors, in other words, write from a place of sympathy and empathy, sadness and joy, adoration and awe. The book, thus, is “a living archive,” evidencing the freedoms found through inventive expression and illustrating how slavery, though no longer legally in existence, is embedded in the fabric of history and has left an indelible and tragic mark on all of humanity.
A must-read about the power of artistry over overt oppression.Pub Date: Oct. 29, 2024
ISBN: 9781588347794
Page Count: 240
Publisher: Smithsonian Books
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
BOOK REVIEW
Cogent, well-timed ideas for meeting today’s biggest challenges.
Helping liberals get out of their own way.
Klein, a New York Times columnist, and Thompson, an Atlantic staffer, lean to the left, but they aren’t interrogating the usual suspects. Aware that many conservatives have no interest in their opinions, the authors target their own side’s “pathologies.” Why do red states greenlight the kind of renewable energy projects that often languish in blue states? Why does liberal California have the nation’s most severe homelessness and housing affordability crises? One big reason: Liberal leadership has ensnared itself in a web of well-intentioned yet often onerous “goals, standards, and rules.” This “procedural kludge,” partially shaped by lawyers who pioneered a “democracy by lawsuit” strategy in the 1960s, threatens to stymie key breakthroughs. Consider the anti-pollution laws passed after World War II. In the decades since, homeowners’ groups in liberal locales have cited such statutes in lawsuits meant to stop new affordable housing. Today, these laws “block the clean energy projects” required to tackle climate change. Nuclear energy is “inarguably safer” than the fossil fuel variety, but because Washington doesn’t always “properly weigh risk,” it almost never builds new reactors. Meanwhile, technologies that may cure disease or slash the carbon footprint of cement production benefit from government support, but too often the grant process “rewards caution and punishes outsider thinking.” The authors call this style of governing “everything-bagel liberalism,” so named because of its many government mandates. Instead, they envision “a politics of abundance” that would remake travel, work, and health. This won’t happen without “changing the processes that make building and inventing so hard.” It’s time, then, to scrutinize everything from municipal zoning regulations to the paperwork requirements for scientists getting federal funding. The authors’ debut as a duo is very smart and eminently useful.
Cogent, well-timed ideas for meeting today’s biggest challenges.Pub Date: March 18, 2025
ISBN: 9781668023488
Page Count: 320
Publisher: Avid Reader Press
Review Posted Online: Jan. 16, 2025
Kirkus Reviews Issue: Feb. 15, 2025
BOOK REVIEW
PERSPECTIVES
SEEN & HEARD
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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