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ARIA

An engrossing tale that reveals a nation's fraught history.

An orphan grows up during decades of unrest in Iran.

Making an impressive fiction debut, Hozar creates a vibrant, unsettling portrait of her native Iran from the 1950s to 1981, a period beset by poverty and oppression, chaos and revolution. The tale begins in 1953, when a desperate new mother abandons her newborn in a garbage-strewn street in Tehran. While wild dogs scavenge through the trash, a man wandering through the neighborhood hears a muffled cry. Behrouz, an illiterate truck driver for the army, rescues the baby and impetuously names her Aria, for music that evokes “all the world’s pains and all the world’s loves.” Behrouz takes the infant home to his wife, Zahra, a hardhearted woman who resents her husband and balks at this new imposition and responsibility. In a culture rife with superstition, she is suspicious of the child, whose blue eyes, Zahra believes, “mean… the devil’s in her.” With Behrouz gone for weeks at a time, Zahra vents her anger at Aria, whom she beats and nearly starves. But as if in a fairy tale, suddenly the girl’s fortunes change: She finds herself in a new home, this time with an emotionally reticent woman who strives to do good works in order to atone for her privilege. As Aria later recalls, she had “a mother who left her, a mother who beat her, and a mother who loved her but couldn’t say so.” Aria goes to school, where her two closest friends are children whose parents hold drastically different views about Iran’s politics: The girl’s father is repeatedly arrested for being a communist while the boy’s wealthy family “sells the Shah his diamonds.” Cries of “Death to the Shah! Long live Khomeini!” portend the violent upheaval that changes the country’s—and Aria’s—future.

An engrossing tale that reveals a nation's fraught history.

Pub Date: Aug. 18, 2020

ISBN: 978-1-524-74903-3

Page Count: 448

Publisher: Pantheon

Review Posted Online: May 17, 2020

Kirkus Reviews Issue: June 1, 2020

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ANITA DE MONTE LAUGHS LAST

An uncompromising message, delivered via a gripping story with two engaging heroines.

An undergraduate at Brown University unearths the buried history of a Latine artist.

As in her bestselling debut, Olga Dies Dreaming (2022), Gonzalez shrewdly anatomizes racial and class hierarchies. Her bifurcated novel begins at a posh art-world party in 1985 as the title character, a Cuban American land and body artist, garners recognition that threatens the ego of her older, more famous husband, white minimalist sculptor Jack Martin. The story then shifts to Raquel Toro, whose working-class, Puerto Rican background makes her feel out of place among the “Art History Girls” who easily chat with professors and vacation in Europe. Nonetheless, in the spring of 1998, Raquel wins a prestigious summer fellowship at the Rhode Island School of Design, and her faculty adviser is enthusiastic about her thesis on Jack Martin, even if she’s not. Soon she’s enjoying the attentions of Nick Fitzsimmons, a well-connected, upper-crust senior. As Raquel’s story progresses, Anita’s first-person narrative acquires a supernatural twist following the night she falls from the window of their apartment —“jumped? or, could it be, pushed?”—but it’s grimly realistic in its exploration of her toxic relationship with Jack. (A dedication, “In memory of Ana,” flags the notorious case of sculptor Carl Andre, tried and acquitted for the murder of his wife, artist Ana Mendieta.) Raquel’s affair with Nick mirrors that unequal dynamic when she adapts her schedule and appearance to his whims, neglecting her friends and her family in Brooklyn. Gonzalez, herself a Brown graduate, brilliantly captures the daily slights endured by someone perceived as Other, from microaggressions (Raquel’s adviser refers to her as “Mexican”) to brutally racist behavior by the Art History Girls. While a vividly rendered supporting cast urges Raquel to be true to herself and her roots, her research on Martin leads to Anita’s art and the realization that she belongs to a tradition that’s been erased from mainstream art history.

An uncompromising message, delivered via a gripping story with two engaging heroines.

Pub Date: March 5, 2024

ISBN: 9781250786210

Page Count: 352

Publisher: Flatiron Books

Review Posted Online: Nov. 18, 2023

Kirkus Reviews Issue: Dec. 15, 2023

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THE LION WOMEN OF TEHRAN

A touching portrait of courage and friendship.

A lifetime of friendship endures many upheavals.

Ellie and Homa, two young girls growing up in Tehran, meet at school in the early 1950s. Though their families are very different, they become close friends. After the death of Ellie’s father, she and her difficult mother must adapt to their reduced circumstances. Homa’s more warm and loving family lives a more financially constrained life, and her father, a communist, is politically active—to his own detriment and that of his family’s welfare. When Ellie’s mother remarries and she and Ellie relocate to a more exclusive part of the city, the girls become separated. They reunite years later when Homa is admitted to Ellie’s elite high school. Now a political firebrand with aspirations to become a judge and improve the rights of women in her factionalized homeland, Homa works toward scholastic success and begins practicing political activism. Ellie follows a course, plotted originally by her mother, toward marriage. The tortuous path of the girls’ adult friendship over the following decades is played out against regime change, political persecution, and devastating loss. Ellie’s well-intentioned but naïve approach stands in stark contrast to Homa’s commitment to human rights, particularly for women, and her willingness to risk personal safety to secure those rights. As narrated by Ellie, the girls’ story incorporates frequent references to Iranian food, customs, and beliefs common in the years of tumult and reforms accompanying the Iranian Revolution. Themes of jealousy—even in close friendships—and the role of the shir zan, the courageous “lion women” of Iran who effect change, recur through the narrative. The heartaches associated with emigration are explored along with issues of personal sacrifice for the sake of the greater good (no matter how remote it may seem).

A touching portrait of courage and friendship.

Pub Date: July 2, 2024

ISBN: 9781668036587

Page Count: 336

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: April 19, 2024

Kirkus Reviews Issue: May 15, 2024

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