A dire warning, sick joke, and perceptive critique of a species of very questionable intelligence: humanity.
Won’t you please open your heart and save the venomous lumpsucker?
Beauman’s quirky techno-thriller unfolds in a bleakly believable near future ravaged by climate change and dominated by an unholy alliance between corporate capitalism and ecological protocols. Our protagonists—Mark Halyard, a morally slippery mining company functionary, and Karin Resaint, a zealous evaluator of animal intelligence—join forces to protect the last vestiges of a parasitic fish species (the titular venomous lumpsucker) for diametrically opposed reasons as they navigate various nature preserves and hermetic think tanks powered by miraculous technologies run amok. Beauman is a deft plotter, and his characters are well drawn, with Halyard’s panicked self-interest and Resaint’s icy resolve striking comedic sparks as the pair desperately endeavor to preserve an unlovable marine species that, by most metrics, would not be missed if lost to extinction. The book’s real strength is its ability to evocatively raise profound questions about humanity’s relationship with and responsibility to animals and the larger environment in the course of its often (darkly) comic action. The worldbuilding is dazzling: Abandoned machine marvels called spindrifters randomly roam the ocean, causing freak storms; a research facility prized for its freedom from sovereign restraints becomes horrifically infested with insects; an oasislike reserve reveals itself to be overrun with toxic waste; and a government minister becomes a Bond-like fugitive assassin with the aid of a superpowered scuba suit, all under the watchful eye of a monstrous international environmental regulatory body that grants cooperative corporations “extinction credits” like popes of old dispensing Indulgences. It’s funny—and chilling and terribly sad—because it’s true.
A dire warning, sick joke, and perceptive critique of a species of very questionable intelligence: humanity.Pub Date: July 5, 2022
ISBN: 978-1-64129-412-6
Page Count: 336
Publisher: Soho
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A tart meditation on narrative and integrity.
A writer’s meeting with his mentor goes complicatedly awry.
Lerner’s slim fourth novel opens with an unnamed narrator arriving in Providence, Rhode Island, on a magazine assignment to interview Thomas, a professor who’s “among the world’s most renowned thinkers about art and technology.” Just before leaving his hotel, though, he accidentally knocks his phone in a sink, bricking it. His sole means of recording the interview gone, he triages, suggesting that he and Thomas conduct a pre-interview that evening and do a full-dress conversation the next day, after he can get the device fixed. The setup seems thin, but, this being a Lerner novel, rich ethical and philosophical questions fly off it: He’s concerned with the ways that an interview poisons authentic conversation, with our over-reliance on technology, and the moral dilemmas of talking to an unreliable source. (Thomas, 90, seems distracted and sometimes dotty.) Lerner’s true subject isn’t an interview so much as it is misapprehension and miscommunication; after the meeting with Thomas in the first section, the second and third parts are concerned with characters’ failures to understand something about each other, be it a romantic partner’s wishes or a child’s eating disorder. That last challenge makes for some of the most vivid, offbeat, and affecting writing Lerner has delivered—a surprise, given his fiction is typically marked by DeLillo-esque sangfroid. Another surprise is the relative embrace of a conventional story arc, as the narrator faces a reckoning about living in a “deepfake” world. This is slighter fare for Lerner but surprisingly potent given its length, interested in the ways that we manufacture our identities and how technology speeds the process along.
A tart meditation on narrative and integrity.Pub Date: April 7, 2026
ISBN: 9780374618599
Page Count: 144
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 20, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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