Strong characters and a sharp depiction of familial secrets in a novel that feels too compressed.
After his father’s death, Akash Amin returns home and struggles with secrets and sobriety.
The debut novel by Patel, author of the acclaimed story collection If You See Me, Don’t Say Hi (2018), continues his exploration of Indian American characters who fight against stereotypes and the expectations of others. Akash wants to live in LA and produce the kind of R&B records he grew up listening to in the 1990s, but his alcoholism and bad decisions keep getting in the way of his dreams. He flies home for the puja commemorating his father’s death one year earlier and faces a brother and mother who don’t know he’s gay and who still resent him for causing a drunken scene the night of his brother’s wedding. Renu, Akash’s mother, has spent the year since her husband’s death watching American soap operas, drinking wine, and holding her tongue at the constant microaggressions from so many supposedly well-meaning White friends. Renu has decided to move back to London, where the man she almost married still lives. No one knows about Renu’s secret desire, but she spends the puja thinking about this lost chance at love. At the same time, Akash can’t stop thinking about the first boy who broke his heart back in middle school and who still lives in town. The novel’s power comes from watching a mother and son suffer under such similar burdens while stubbornly refusing to open up to each other. The flaw in Patel’s novel is structural more than anything else. The short chapters (some as few as two pages) alternate between Akash’s and Renu’s narration; they wrestle with such similar burdens, and they’re together for so much of the book, that the quick jumps between them keep the reader from sinking into either of their stories.
Strong characters and a sharp depiction of familial secrets in a novel that feels too compressed.Pub Date: Dec. 7, 2021
ISBN: 978-1-250-18497-9
Page Count: 336
Publisher: Flatiron Books
Review Posted Online: Aug. 31, 2021
Kirkus Reviews Issue: Sept. 15, 2021
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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