Strong characters and a sharp depiction of familial secrets in a novel that feels too compressed.
After his father’s death, Akash Amin returns home and struggles with secrets and sobriety.
The debut novel by Patel, author of the acclaimed story collection If You See Me, Don’t Say Hi (2018), continues his exploration of Indian American characters who fight against stereotypes and the expectations of others. Akash wants to live in LA and produce the kind of R&B records he grew up listening to in the 1990s, but his alcoholism and bad decisions keep getting in the way of his dreams. He flies home for the puja commemorating his father’s death one year earlier and faces a brother and mother who don’t know he’s gay and who still resent him for causing a drunken scene the night of his brother’s wedding. Renu, Akash’s mother, has spent the year since her husband’s death watching American soap operas, drinking wine, and holding her tongue at the constant microaggressions from so many supposedly well-meaning White friends. Renu has decided to move back to London, where the man she almost married still lives. No one knows about Renu’s secret desire, but she spends the puja thinking about this lost chance at love. At the same time, Akash can’t stop thinking about the first boy who broke his heart back in middle school and who still lives in town. The novel’s power comes from watching a mother and son suffer under such similar burdens while stubbornly refusing to open up to each other. The flaw in Patel’s novel is structural more than anything else. The short chapters (some as few as two pages) alternate between Akash’s and Renu’s narration; they wrestle with such similar burdens, and they’re together for so much of the book, that the quick jumps between them keep the reader from sinking into either of their stories.
Strong characters and a sharp depiction of familial secrets in a novel that feels too compressed.Pub Date: Dec. 7, 2021
ISBN: 978-1-250-18497-9
Page Count: 336
Publisher: Flatiron Books
Review Posted Online: Aug. 31, 2021
Kirkus Reviews Issue: Sept. 15, 2021
BOOK REVIEW
That college love affair you never got over? Come wallow in this gorgeous version of it.
A love triangle among young literati has a long and complicated aftermath.
King’s narrator doesn’t reveal her name until the very last page, but Sam and Yash, the brainy stars of her 17th-century literature class, call her Jordan. Actually, at first they refer to her as Daisy, for Daisy Buchanan of The Great Gatsby, but when they learn she came to their unnamed college on a golf scholarship, they change it to Jordan for Gatsby’s golfer friend. The boys are housesitting for a professor who’s spending a year at Oxford, living in a cozy, book-filled Victorian Jordan visits for the first time after watching The Deer Hunter at the student union on her first date with Sam. As their relationship proceeds, Jordan is practically living at the house herself, trying hard not to notice that she’s actually in love with Yash. A Baptist, Sam has an everything-but policy about sex that only increases the tension. The title of the book refers to a nickname for the king of hearts from an obscure card game the three of them play called Sir Hincomb Funnibuster, and both the game and variations on the moniker recur as the novel spins through and past Jordan’s senior year, then decades into the future. King is a genius at writing love stories—including Euphoria (2014), which won the Kirkus Prize—and her mostly sunny version of the campus novel is an enjoyable alternative to the current vogue for dark academia. Tragedies are on the way, though, as we know they must be, since nothing gold can stay and these darn fictional characters seem to make the same kinds of stupid mistakes that real people do. Tenderhearted readers will soak the pages of the last chapter with tears.
That college love affair you never got over? Come wallow in this gorgeous version of it.Pub Date: Oct. 7, 2025
ISBN: 9780802165176
Page Count: 256
Publisher: Grove
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
PERSPECTIVES
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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