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SHAKESPEARE'S RESTLESS WORLD

A PORTRAIT OF AN ERA IN TWENTY OBJECTS

Beautifully illustrated, MacGregor’s history offers a vibrant portrait of Shakespeare’s dramatic, perilous and exhilarating...

What did Elizabethan theatergoers eat while watching Hamlet?

British Museum Director MacGregor (A History of the World in 100 Objects, 2011, etc.) answers that question and many others as he examines 20 objects, now in museums and libraries, that illuminate daily life in Shakespearean England. As for theater snacks, researchers combing through debris buried under the Globe discovered that nuts, dried fruit and various kinds of shellfish were popular. Oysters were cheap, sold by girls known as “oyster-wenches” and pried from their shells with daggers, which every man carried. A two-pronged iron fork, though, was a surprising discovery; MacGregor speculates that it belonged to a wealthy audience member who imported the dining utensil from Italy at a time when most English ate with their fingers. A felted woolen cap gives the author a chance to explain how clothing choices distinguished among workers and signaled class. An obsidian mirror belonging to John Dee, practitioner of the occult arts, inspires a chapter on “the proximity and the influence of a world of spirits” that viewers of The Tempest or A Midsummer Night’s Dream took for granted. Dee, it turns out, was a trusted adviser of Queen Elizabeth. A model of a bewitched ship, from the collections of the National Museum of Scotland, proves that for many in Shakespeare’s audience, “witchcraft was part of the fabric of daily life.” Viewers likely were aware, too, of the difference between the mischief perpetrated by English witches and the “taste for high politics” enjoyed by Scottish witches—the three, for example, whose chanting opens Macbeth. Civic life was indeed tense throughout Elizabeth’s reign and even after her death. The country was roiled by threats of treason and assassination, beset by religious conflict and repeatedly infected by plague.

Beautifully illustrated, MacGregor’s history offers a vibrant portrait of Shakespeare’s dramatic, perilous and exhilarating world.

Pub Date: Nov. 5, 2013

ISBN: 978-0-670-02634-0

Page Count: 336

Publisher: Viking

Review Posted Online: Sept. 9, 2013

Kirkus Reviews Issue: Oct. 1, 2013

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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