From the pair behind Singing America (1995), a gathering of a century's worth of stories that defy well-known European fairy tale conventions. In an impassioned afterword, Philip writes, ``One of the defining themes of the American fairy tale is this sense that ordinary life is something the fairy tale hero must learn to value and enjoy, rather than something from which he must escape.'' He includes works by writers such as L. Frank Baum, Nathaniel Hawthorne, and Louisa May Alcott, as well as lesser-knowns (Ruth Plumly Thompson and the anonymous M.S.B., among them), who penetrated the heart of American culture by creating characters who relied on inner strength and discovery rather than other-worldly magic. Glass slippers, castles, and class differences aside, Washington Irving, Howard Pyle, and Carl Sandburg remythologized the traditional stories by asserting that the challenge and bounty of America provided more than enough setting and inspiration. Whether readers recall these stories from English classes or discover them anew, they will see in the texts the promise and potential of an untarnished America. McCurdy's precise black-and- white woodcuts perfectly capture the idiomatic spirit of stories from Kansas to Kalamazoo to Rootabaga Country, and help Philip make the case for the genre that other collections have danced around without naming, the American fairy tale. With a preface by Alison Lurie. (Fiction. 10+)
Pub Date: Nov. 2, 1996
ISBN: 0-7868-0207-3
Page Count: 160
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author of The Blizzard of 1896 (1990) and other tall tales of the Old West goes back to an even older West for the story of an Anasazi boy with an unusual friend—an affectionate bear cub that dances when it hears music, bringing good cheer and, without fail, rain as well. Though Bird admits that his anthropology is not up to snuff, and his language has a modern sound (after the bear performs for some hunters, ``they laughed and had a great time''), the bear is an appealing animated character that behaves—and is treated—like a hairy young child. The plot tends to wander, but its mildly humorous course— punctuated by dramatic incidents (a charging buffalo, a violent thunderstorm)—holds interest. Slight but appealing, a fantasy with an unusual—and particularly well-realized—setting and small illustrations resembling southwestern petroglyphs. (Fiction. 10-12)
Pub Date: April 27, 1993
ISBN: 0-87614-748-1
Page Count: 120
Publisher: Carolrhoda
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
Twenty-two classic stories, poems, and reminiscences celebrating the sea's danger and grandeur, anchored by selections as familiar as Matthew Arnold's ``Dover Beach'' and Stephen Crane's ``Open Boat,'' as diverse as Belloc's account of the destruction of the Spanish Armada and Heyerdahl's encounters with sharks while floating across the Pacific on Kon-Tiki, as exciting as Joshua Slocum's solo battle with wind and wave off Cape Horn. Tall ships sail again in dramatic, sharply reproduced paintings (25 in color), engravings, and early photos, mostly from the last century. Even readers who believe that water belongs in a cup will have sea legs after a voyage through this first-rate collection. Large, useful glossary of nautical terms. (Nonfiction. 12+)
Pub Date: Oct. 1, 1992
ISBN: 0-8478-1578-1
Page Count: 144
Publisher: Rizzoli
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1992
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