Postman (Conscientious Objections, 1988, etc.) once more cuts across the grain as an important critic of our national culture, this time arguing that America has become the world's first ``totalitarian technocracy''—otherwise known as a ``Technopoly.'' Postman starts out from the long view, showing that while every human culture becomes ``tool-using,'' the use of those tools doesn't necessarily change that culture's beliefs, ideology, or world view. In ``technocracy,'' however (for us, this stage began to burgeon in the industrial 19th century), there's a change: tools (they're now called ``technology'') begin to alter the culture instead of just being used by it: ``tools...attack the culture. They bid to become the culture.'' And technocracy becomes Technopoly when tools win the battle for dominance and become the sole determiners of a culture's purpose and meaning, and in fact of its very way of knowing and thinking—or of not thinking. The tools, in other words, come not only to use us but to define what we are—which is ``why in a Technopoly there can be no transcendent sense of purpose of meaning, no cultural coherence.'' So desolate a view of generalized inversion and ideological collapse fails to subdue either Postman's humane and faithful energy or his unflagging quickness of mind as he travels from Copernicus, Descartes, and Francis Bacon on through discussions of modern bureaucracy, concepts of worker ``management,'' the intellectual hollowness of social ``science'' and its monster-children of poll- taking and IQ testing—these and others (schools, TV, the computer ``culture'') all being ``technologies'' that in fact are ``without a moral center,'' yet ones that we insistently revere and haplessly measure ourselves by, because ``we have become blind to the ideological meaning of our technologies.'' Amusing, learned, and prickling with intelligence, Postman easily outclasses the Allan Bloomians in the grave work of showing how it is that we've now stumbled our way into 1984—and offers, at end, some modest suggestions as to what to do about it.
Pub Date: Feb. 27, 1992
ISBN: 0-394-58272-1
Page Count: 224
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1991
BOOK REVIEW
BOOK REVIEW
A clear and candid contribution to an essential conversation.
Straight talk to blacks and whites about the realities of racism.
In her feisty debut book, Oluo, essayist, blogger, and editor at large at the Establishment magazine, writes from the perspective of a black, queer, middle-class, college-educated woman living in a “white supremacist country.” The daughter of a white single mother, brought up in largely white Seattle, she sees race as “one of the most defining forces” in her life. Throughout the book, Oluo responds to questions that she has often been asked, and others that she wishes were asked, about racism “in our workplace, our government, our homes, and ourselves.” “Is it really about race?” she is asked by whites who insist that class is a greater source of oppression. “Is police brutality really about race?” “What is cultural appropriation?” and “What is the model minority myth?” Her sharp, no-nonsense answers include talking points for both blacks and whites. She explains, for example, “when somebody asks you to ‘check your privilege’ they are asking you to pause and consider how the advantages you’ve had in life are contributing to your opinions and actions, and how the lack of disadvantages in certain areas is keeping you from fully understanding the struggles others are facing.” She unpacks the complicated term “intersectionality”: the idea that social justice must consider “a myriad of identities—our gender, class, race, sexuality, and so much more—that inform our experiences in life.” She asks whites to realize that when people of color talk about systemic racism, “they are opening up all of that pain and fear and anger to you” and are asking that they be heard. After devoting most of the book to talking, Oluo finishes with a chapter on action and its urgency. Action includes pressing for reform in schools, unions, and local governments; boycotting businesses that exploit people of color; contributing money to social justice organizations; and, most of all, voting for candidates who make “diversity, inclusion and racial justice a priority.”
A clear and candid contribution to an essential conversation.Pub Date: Jan. 16, 2018
ISBN: 978-1-58005-677-9
Page Count: 256
Publisher: Seal Press
Review Posted Online: Oct. 8, 2017
Kirkus Reviews Issue: Nov. 1, 2017
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Less a sequel than an addendum, the book offers a close-up view of the Oval Office in its darkest hour.
Four decades after Watergate shook America, journalist Woodward (The Price of Politics, 2012, etc.) returns to the scandal to profile Alexander Butterfield, the Richard Nixon aide who revealed the existence of the Oval Office tapes and effectively toppled the presidency.
Of all the candidates to work in the White House, Butterfield was a bizarre choice. He was an Air Force colonel and wanted to serve in Vietnam. By happenstance, his colleague H.R. Haldeman helped Butterfield land a job in the Nixon administration. For three years, Butterfield worked closely with the president, taking on high-level tasks and even supervising the installation of Nixon’s infamous recording system. The writing here is pure Woodward: a visual, dialogue-heavy, blow-by-blow account of Butterfield’s tenure. The author uses his long interviews with Butterfield to re-create detailed scenes, which reveal the petty power plays of America’s most powerful men. Yet the book is a surprisingly funny read. Butterfield is passive, sensitive, and dutiful, the very opposite of Nixon, who lets loose a constant stream of curses, insults, and nonsensical bluster. Years later, Butterfield seems conflicted about his role in such an eccentric presidency. “I’m not trying to be a Boy Scout and tell you I did it because it was the right thing to do,” Butterfield concedes. It is curious to see Woodward revisit an affair that now feels distantly historical, but the author does his best to make the story feel urgent and suspenseful. When Butterfield admitted to the Senate Select Committee that he knew about the listening devices, he felt its significance. “It seemed to Butterfield there was absolute silence and no one moved,” writes Woodward. “They were still and quiet as if they were witnessing a hinge of history slowly swinging open….It was as if a bare 10,000 volt cable was running through the room, and suddenly everyone touched it at once.”
Less a sequel than an addendum, the book offers a close-up view of the Oval Office in its darkest hour.Pub Date: Oct. 13, 2015
ISBN: 978-1-5011-1644-5
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: Oct. 20, 2015
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