An informatively readable combination of cultural and feminist history.
A New York Times contributor examines how airline stewardesses stood up to their misogynist industry.
When 19-year-old Patt Gibbs interviewed to become a stewardess in 1961, she had no fondness for the “high heels, makeup, [and] girdles” or expectations for “Barbie-slim[ness]” she associated with the job. What she did have was youth and status as an unmarried woman at a time when airlines pushed stewardesses into retirement once they reached their 30s or married. Wulfhart, a seasoned travel reporter who has also written for Travel + Leisure, Bon Appétit, and other publications, interweaves Gibbs’ personal story with a larger narrative of how female flight attendants struggled to build long-term careers built on benefits and good wages rather than the promise of glamour and adventure. Like her future colleagues, Gibbs’ professional journey began at “the charm farm,” a stewardess college that trained women in emergency procedures, personal stylishness, and what the promotional material called “the gracious art of making people happy.” Yet Gibbs, who was “coming into her own as a lesbian” though not “out,” was disciplined almost immediately for violating sexist airline rules like not wearing white gloves at all times and riding a motorcycle to work. Drafted into a weak stewardess union, Gibbs went from reluctant member to one of its leading spokespeople. Over the next several years, she and her union colleagues struggled against dress codes that forced stewardesses into miniskirts, flimsy paper dresses, and go-go boots. Gibbs led the fight to join with the then-male dominated Transport Workers Union for expansion of flight attendant rights and then spearheaded a new, woman-led Association of Professional Flight Attendants in the 1970s when the TWU faltered in its promises to help the stewardesses reach their goals. Accompanied by occasional black-and-white images, this engaging narrative offers a fascinating look at how the intersection of the women’s and labor movements helped a little-discussed, female-dominated profession achieve viability and respect.
An informatively readable combination of cultural and feminist history.Pub Date: April 19, 2022
ISBN: 978-0-385-54645-4
Page Count: 320
Publisher: Doubleday
Review Posted Online: Jan. 25, 2022
Kirkus Reviews Issue: Feb. 15, 2022
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
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