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CITY KID

A WRITER’S MEMOIR OF GHETTO LIFE AND POST-SOUL SUCCESS

Uneven but frequently engrossing.

George (The Accidental Hunter, 2005, etc.) chronicles his progression from an impoverished childhood to an accomplished career as a music journalist, novelist and filmmaker, with many stops along the way.

The author was born into a working-class black family in swiftly changing Brooklyn. It was 1957: White families were moving out to the suburbs; African-American and Puerto Rican families were moving in. George’s father was absent for much of his youth, and his hardworking mother served as his principal role model. The memoir serves up many images already shopworn from other coming-of-age stories set in New York during the ’60s and ’70s: stickball in the street, dancing to soul records, trading comic books, etc. George’s recollections often seem romanticized, with one notable exception. His colorful descriptions of pop, soul and jazz, the experience of listening to music and his reactions to it, always seem authentic, and they point a clear path to his career as a journalist. He developed his craft at Billboard, New York Amsterdam News and The Village Voice (his dream job). As the author chronicles his professional success, the book’s focus shifts to his relationships with an impressive, if lengthy, list of major black artists, including Russell Simmons, Spike Lee and Chris Rock, each of whom gets his own chapter. While these accounts provide a unique perspective on the development of African-American culture, they also fragment the text into choppy, piecemeal sections that abandon the subject of George’s family life. He attempts to bring things full circle with concluding chapters on Life Support, a film he directed about his sister’s battle with HIV, and a brief account of a family reunion at his niece’s graduation.

Uneven but frequently engrossing.

Pub Date: April 6, 2009

ISBN: 978-0-670-02036-2

Page Count: 250

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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