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HOUSE ON THE RIVER

A SUMMER JOURNEY

A profound slice of “uncut opium, pure memory.”

Poet/novelist/essayist Rapoport (A Woman’s Book of Grieving, 1994, etc.) takes a boat journey into the benediction of the past.

There’s no time to lose as the author rounds up a company of relatives, some working on their 60s and 70s, to make a pilgrimage by houseboat up the Trent-Severn Waterway back to their summer place in Bobcaygeon, Canada. The house no longer belongs to the family, so this will be a drive-by, and Rapoport will fill it with as many digressions as there are waterpaths in the Thousand Islands. She keeps the story in the moment, marveling at a double rainbow and the stars above a place called Burleigh Falls: “happy, trying to memorize the texture of each minute, convinced I shall not know such a time again, an oasis of untainted plenty,” while knowing that, “for me, memory is tangible, always present. My recollections are objects, available to scrutinize, to savor, even to alter.” She wants to taste a measure of what she once felt there at her grandmother’s place, and so the story is drawn ineluctably back to the dreaminess of those perfumed summer days. While the town has its psycho-geographical intensity, the memoir pivots around the family. Rapoport elegantly delineates the Judaic terrain, a temperate ground that scorned the ideologues and felt sorrow for the lapsed and that took delight in devotion and ritual, in knowledge and wisdom. She gives herself over to the dominion of emotion in the undertaking of this return, “like a wonder of nature to which people flock, their faces rapt, the water endlessly falling, stronger than death.” Stirringly, this involves saying good-bye: “Only if you acknowledge parting, embrace it without flinching, can you leave well. If you deny its imminence, the agony of farewell is never subdued.” There are some flinches, though, and they are powerful, compressed to the point at which gemstones are made.

A profound slice of “uncut opium, pure memory.”

Pub Date: July 13, 2004

ISBN: 1-4000-4887-7

Page Count: 144

Publisher: Harmony

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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