An appealing production overall and a helpful introduction for children preparing to see the ballet, but it’s one that needs...
This introduction to the ballet closely follows the production of the New York City Ballet, as originated by George Balanchine.
Protagonist Marie is introduced on the cover as a blonde, white sylph dancing with her nutcracker toy. All the standard elements of the story are introduced in order, including the transformation of the Christmas tree, cleverly illustrated by shifting the page orientation by 90 degrees to accommodate its sudden growth. Marie and the Prince travel through the Land of Sweets, where they meet the characters from the ballet, such as the Sugarplum Fairy and Mother Ginger, before returning home in their magical sleigh drawn by reindeer. This interpretation has the advantage of a text that is not too long or complicated for young children. The captivating illustrations have an art nouveau look, with swirling skirts, trailing ribbons, and flowing hair styles. A concerning aspect of the style is the noticeable thinness of the female dancers, especially Marie and the other little girls at the party. Stick-thin arms and legs for little girls do not reflect reality and reinforce problematic body-image ideals. The main characters in the story are all white, while some of the party guests and dancers are from other ethnic groups. Two final pages include additional facts and the history of the New York City Ballet production.
An appealing production overall and a helpful introduction for children preparing to see the ballet, but it’s one that needs some real little girls as artist's models. (Picture book. 4-8)Pub Date: Sept. 20, 2016
ISBN: 978-1-4814-5829-0
Page Count: 40
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Aug. 16, 2016
Kirkus Reviews Issue: Sept. 1, 2016
BOOK REVIEW
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
Black and brown nature lovers, here’s one to read and share
Mother-daughter author-illustrator team Anne (who passed away in April 2018) and Lizzy Rockwell have crafted a quiet story that positively portrays a black family spending time in nature. While this shouldn’t be a news flash in 2018, it is.
A black family—mom, dad, and daughter—drives 20 minutes away from their suburb for a day hike up Hickory Hill, where they enjoy the flora, fauna, and autumnal changes. The higher they climb, the sparser the vegetation becomes until they reach the summit and take in the expansive views. This picture book offers a rare snapshot of a family of color spending quality family time in the woods. Since they think they are lost at one point, perhaps they have not hiked often, but this does not dampen their enthusiasm. Several animals make an appearance in the watercolor illustrations, done in a soft, mostly pastel palette, including a porcupine, birds, a deer, a chipmunk, and a toad. The young female narrator describes the woodpecker she sees as redheaded; this, too, suggests that she hasn’t done much bird-watching since the bird is a pileated woodpecker, and a kid who had grown up birding would know it by both sound and sight. Still, readers will appreciate the daughter’s delight as she chooses the trail to hike and really notices her surroundings.
Black and brown nature lovers, here’s one to read and share . (Picture book. 4-8)Pub Date: Sept. 25, 2018
ISBN: 978-1-4814-2737-1
Page Count: 32
Publisher: Aladdin
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
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