For all its political posturing, Gingrich's first entry in a new contemporary series is a competent thriller. But in a...
Faced with a dire threat from Russia, U.S. operatives attempt to sneak a disgruntled Kremlin official with knowledge of an impending attack out of Moscow.
The official is Deputy Foreign Minister Yakov Pavel, whose political standing is being whittled down by Putin-like President Vyachesian Leninovich Kalugin's coldblooded henchman, Gen. Gromyko. Since the mysterious death of Pavel's daughter and son-in-law, scientists who were working on a secret project, he has been open to overtures from the West. The Americans assigned to get Pavel are Brett Garrett, a wrongly dishonored former Navy Seal working as a private contractor, and FBI agent Valerie Mayberry, a rich girl who has no problem acting like one. Garrett, who sounds like John Wayne ("Listen to me and listen good"), is hooked on opioids; Mayberry takes Adderall for her ADHD. Driving the action are the gunning down of the U.S. ambassador in Kiev and violence perpetuated by Antifa protesters who some American officials insist are working with the Russians. Considering there is nary a mention of Russian meddling in U.S. elections, the title of the book seems cynical and exploitative. President Randle Fitzgerald, a former NFL quarterback, has a marginal presence (as does Kalugin). It's left to CIA director Harold Harris to voice his contempt of Congress.. As one might expect, Gingrich (with co-author Earley) tilts to the right in portraying liberals as misguided or naïve. The results can be laughable. "How dare you objectify me!" Mayberry shouts at a conservative congressman. "You're exactly what's wrong with Republicans and our government." Even though Mayberry is play-acting in the scene, you have to wonder who would buy such fakery.
For all its political posturing, Gingrich's first entry in a new contemporary series is a competent thriller. But in a crowded field of books inspired by current events, lacking top-drawer suspense, it fails to stand out.Pub Date: April 30, 2019
ISBN: 978-0-06-285998-3
Page Count: 352
Publisher: Broadside Books/HarperCollins
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
A grueling, gripping demonstration of melodrama’s darker side. As Annie tells the cops who insist that everything’s OK...
Stevens’s blistering debut follows a kidnap victim from her abduction to her escape—and the even more horrifying nightmare that follows.
One moment, Vancouver Island realtor Annie O’Sullivan is taking one last client, a quiet, well-spoken man with a nice smile, through the property where she’s holding an open house; the next moment, she’s being marched out to a van at gunpoint, unaware that it’s the last time for months that she’ll see the sky or breathe the open air. The man who’s taken her calls himself David; she calls him The Freak. And her ordeal over the next year, described in unsparing detail in a series of lacerating sessions with her psychiatrist, indicates that her name is a lot more accurate than his. Annie is fondled, beaten, raped and starved by a man whose troubled background has evidently convinced him that she wants him to treat her with exactly this combination of brutality and solicitude. Worse still, she internalizes his obsessive rules (meals and bathroom breaks on a strict schedule, ritual baths and sex, complete control of every word she speaks and her tone of voice) so completely that she remains terrified of breaking them. Months after her miraculous return to the world she wondered if she’d ever see again, she’s still cowering every night in her closet, unable to hold her own in anything like a normal conversation with her flirtatious, irresponsible mother, her best friend Christina, her restaurateur boyfriend Luke, or any of the dozens of interviewers who stalk her, “just sadists with a bigger paycheck” than The Freak. Worst of all is the dawning realization, fostered by sympathetic, no-nonsense Staff Sgt. Gary Kincade, that The Freak had at least one accomplice who helped him select his victim—perhaps an accomplice who had a particular reason to wish Annie ill.
A grueling, gripping demonstration of melodrama’s darker side. As Annie tells the cops who insist that everything’s OK because she’s safe: “I was never going to be okay, or safe.”Pub Date: July 1, 2010
ISBN: 978-0-312-59567-8
Page Count: 352
Publisher: St. Martin's
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: June 1, 2010
Art forgery! False identities! Adultery! Murder! But in the end, sadly, it’s more melodrama than true thriller.
When a skull is discovered in the lake by a manor house, a 30-year-old mystery comes to light.
When Jo’s husband dies suddenly, she reluctantly brings her 10-year-old daughter, Ruby, home to Lake Hall. Despite the seeming affluence of her aristocratic family, Jo’s memories of her childhood are mostly unhappy, especially after her beloved nanny, Hannah, left under mysterious circumstances. Despite her mother’s frosty warnings, Jo takes Ruby out on the lake one day, and they unearth a human skull. The detective who comes to investigate has a chip on his shoulder about the upper class and would like nothing better than to prove the village rumors that the Holt family has casually disposed of inconvenient bodies throughout the years. Jo’s mother knows exactly to whom the skull belongs—and she wants to keep the truth from Jo as long as possible. Jo herself suspects it might belong to Hannah, who never would have left her voluntarily—but then suddenly, out of the blue, a handsome older woman turns up on their doorstep, claiming to be Hannah. No one is quite sure what to believe, but Jo, desperately wanting to rekindle the closeness she once had with Hannah and chafing against the coldness of her mother, invites the woman into her home to help care for Ruby—a mistake, we know, of catastrophic proportions. Macmillan (I Know You Know, 2018, etc.) strives to create a gothic atmosphere, but the setting falls short of true creepiness. Her decision to switch narrators does add layers to the story, but the voices all seem to tell more than they show, and no character is sympathetic enough, or charismatic enough, to really draw the reader into the mystery.
Art forgery! False identities! Adultery! Murder! But in the end, sadly, it’s more melodrama than true thriller.Pub Date: Sept. 10, 2019
ISBN: 978-0-06-287555-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
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