Next book

BENNO’S BEAR

In this debut, a young pickpocket gets caught and must deal with the consequences, good as well as bad. Benno’s father has trained the boy to steal while the father plays the concertina and their trained bear dances. It’s a hard, poor life, but Benno finds joy with his Bear, who has been with them since he was a cub. After they are caught, Benno’s father is sentenced to seven months in prison and Bear is sent to the city zoo, while, surprisingly, a compassionate police officer takes Benno home. Despite the kindness of the policeman and his wife, and the prosperity of their home, Benno longs to leave to rescue Bear, which he attempts. The book concludes tidily with Bear where he belongs, and Benno reunited with his father but still in close contact with the policeman and his warm-hearted wife. The unspecified setting, which resembles an Eastern European country a few hundred years ago, remains a vague background for the action. Benno, who narrates the story, is the only fully developed character, while others play the roles of abusive father, kindly childless couple, mean old schoolteacher, and so on, almost like the fairy tale characters that Benno loves to read about. Still, Benno’s relationship with Bear will intrigue readers, and the plot offers enough suspense and action to keep readers interested until the sentimental final paragraphs. (Fiction. 10-13)

Pub Date: Oct. 1, 2001

ISBN: 0-525-46521-9

Page Count: 256

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2001

Next book

THE SCHOOL STORY

A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)

Pub Date: June 1, 2001

ISBN: 0-689-82594-3

Page Count: 160

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2001

Next book

BEOWULF

“Hear, and listen well, my friends, and I will tell you a tale that has been told for a thousand years and more.” It’s not exactly a rarely told tale, either, though this complete rendition is distinguished by both handsome packaging and a prose narrative that artfully mixes alliterative language reminiscent of the original, with currently topical references to, for instance, Grendel’s “endless terror raids,” and the “holocaust at Heorot.” Along with being printed on heavy stock and surrounded by braided borders, the text is paired to colorful scenes featuring a small human warrior squaring off with a succession of grimacing but not very frightening monsters in battles marked by but a few discreet splashes of blood. Morpurgo puts his finger on the story’s enduring appeal—“we still fear the evil that stalks out there in the darkness . . . ”—but offers a version unlikely to trouble the sleep of more sensitive readers or listeners. (Fiction. 10-12)

Pub Date: Nov. 1, 2006

ISBN: 0-7636-3206-6

Page Count: 96

Publisher: Candlewick

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2006

Close Quickview