by Niall Ferguson ‧ RELEASE DATE: May 4, 2021
Captivating, opinionated history from a knowledgeable source.
The bestselling British historian offers his thoughts on major disasters, including the current pandemic, with an emphasis on why humans handle them so badly.
After seeing his warnings about the severity of Covid-19 ignored in early 2020, Ferguson revived his interest in the role of disasters in world history. The result is this assertive, intensely researched, sometimes unconvincing, but always entertaining account. “Historians tend to gravitate toward the study of…extreme disasters, with a preference for the man-made varieties,” writes the author. “Yet they seldom reflect very deeply on their common properties.” With all disasters, the social context is crucial: A hurricane or earthquake is of no consequence unless there are people around. Perhaps most important of all, Ferguson emphasizes, these phenomena tend to follow “power laws” rather than the familiar normal distribution such as human heights. There is no average forest fire, stock market drop, or measles outbreak. Major catastrophes occur so rarely that few of us take the risk personally and continue to invest in risky stocks, settle in flood plains, and thrill at the beginning of the latest war. Historians follow every disaster with an explanation. Thus, they explain that the shocking 1914 outbreak of World War I was caused by decades of competition between Europe’s great powers. Ferguson disagrees, preferring Tolstoy’s view that human calamities are natural phenomena comparable to a hurricane. “Most disasters occur when a complex system goes critical,” writes the author, “usually as a result of some small perturbation.” After a handful of familiar examples (the Titanic, Chernobyl, Three Mile Island, etc.), Ferguson returns to Covid, an ongoing preoccupation that he describes in superb detail. Unquestionably an economic disaster, in terms of lives lost, the author labels it a “medium-size disaster”—comparable to the 1957-1958 influenza pandemic rather than the epic 1918-1919 Spanish flu. Ferguson ends in September 2020, before the pandemic’s massive upswing, so future editions will require an addendum.
Captivating, opinionated history from a knowledgeable source.Pub Date: May 4, 2021
ISBN: 978-0-593-29737-7
Page Count: 496
Publisher: Penguin Press
Review Posted Online: Feb. 7, 2021
Kirkus Reviews Issue: March 1, 2021
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by Omar El Akkad ‧ RELEASE DATE: Feb. 25, 2025
A philosophically rich critique of state violence and mass apathy.
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New York Times Bestseller
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
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SEEN & HEARD
by Alyssa Milano ‧ RELEASE DATE: Oct. 26, 2021
The choir is sure to enjoy this impassioned preaching on familiar progressive themes.
Essays on current political topics by a high-profile actor and activist.
Milano explains in an introduction that she began writing this uneven collection while dealing with a severe case of Covid-19 and suffering from "persistent brain fog.” In the first essay, "On Being Unapologetically Fucked Up,” the author begins by fuming over a February 2019 incident in which she compared MAGA caps worn by high school kids to KKK hoods. She then runs through a grab bag of flash-point news items (police shootings, border crimes, sexual predators in government), deploying the F-bomb with abandon and concluding, "What I know is that fucked up is as fundamental a state of the world as night and day. But I know there is better. I know that ‘less fucked up’ is a state we can live in.” The second essay, "Believe Women," discusses Milano’s seminal role in the MeToo movement; unfortunately, it is similarly conversational in tone and predictable in content. One of the few truly personal essays, "David," about the author's marriage, refutes the old saw about love meaning never having to say you're sorry, replacing it with "Love means you can suggest a national sex strike and your husband doesn't run away screaming." Milano assumes, perhaps rightly, that her audience is composed of followers and fans; perhaps these readers will know what she is talking about in the seemingly allegorical "By Any Other Name," about her bad experience with a certain rosebush. "Holy shit, giving birth sucked," begins one essay. "Words are weird, right?" begins the next. "Welp, this is going to piss some of you off. Hang in there," opens a screed about cancel culture—though she’s entirely correct that “it’s childish, divisive, conceited, and Trumpian to its core.” By the end, however, Milano's intelligence, compassion, integrity, and endurance somewhat compensate for her lack of literary polish.
The choir is sure to enjoy this impassioned preaching on familiar progressive themes.Pub Date: Oct. 26, 2021
ISBN: 978-0-593-18329-8
Page Count: 272
Publisher: Dutton
Review Posted Online: Aug. 16, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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by Alyssa Milano & Debbie Rigaud ; illustrated by Eric S. Keyes
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