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THE LAST DAY OF EMILY LINDSEY

Joseph (Boy, 9, Missing, 2016) employs a lot of twists to get to her denouement, watering down some of its impact, and while...

Lots of blood but no body kicks off a thriller in which nothing is what it seems.

Detective Steven Paul is barely holding onto his job when he and his partner, Gayla Ocasio, are sent to visit Emily Lindsey in the hospital. He’s been having terrible dreams, and they’re affecting his waking life, so much so that his partner has been asked to report back to the department therapist if she thinks he’s having problems. When they meet Emily, she’s awake but unresponsive, and then when they come back into the room after having stepped outside for a few minutes, she’s drawn a symbol all over herself and her bed—a symbol that Steve has been seeing in his dreams. How is that possible? Emily’s husband, Dan, discovered her at their home covered in blood and clutching a knife but unable to tell him what happened; she’s not injured, so it isn't her own blood, and Steve’s name was on a Post-It Note in her pocket. Turns out Emily is a popular blogger known for stirring the pot, and her research into Ryan Griggs, a controversial figure in big pharma, has ruffled some powerful feathers. That's all Steve and Gayla have to work with. It’s an eye-opening avenue of investigation, and they need all the help they can get, because all that blood belongs to someone, and hopefully it’s not too late for him or her. Meanwhile, Steve, who narrates, struggles to cope with not only the nightmares and the visions, but the pain of not seeing the little boy who's not biologically his child but whom he raised from a very young age with his ex-wife. Interspersed with Steve and Gayla’s investigation are passages involving a group of children living in a compound who are determined to find out what terrible thing happens every year on June 2—it may have a connection with Steve’s terrible nightmares.

Joseph (Boy, 9, Missing, 2016) employs a lot of twists to get to her denouement, watering down some of its impact, and while the story requires some suspension of disbelief, Joseph’s prose is smooth enough to keep the pages turning.

Pub Date: Oct. 3, 2017

ISBN: 978-1-4926-4653-2

Page Count: 336

Publisher: Sourcebooks

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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YOU DON'T WANT TO KNOW

Melodramatic and filled with a lot of pointless meanderings, but Jackson’s many fans will still enjoy it.

New York Times’ bestselling author Jackson puts her touch on this dark thriller and tale of forbidden romance.

Ava Church Garrison has it all. She’s beautiful, a near-genius and wealthy. Married to a handsome attorney and living in her family’s ancestral home on a small island off the coast of Washington, her future couldn’t be brighter, except for one small problem. It appears to everyone, including Ava, that she’s lost her mind. It all started when she lost her child. Two-year-old Noah wandered out of the house, and authorities believe he fell into the icy water and drowned. But Ava won’t accept this. She keeps searching for Noah, her searches prompted by sounds and visions she can’t control. No matter what she does, Ava keeps hearing Noah call for help and sees him toddling off toward the dock. To add to Ava’s issues, she has her loony-bin-worthy family living with her. Her cousin, Jewel-Anne, wheelchair-bound following an accident that killed Ava’s only brother, and the rest of her family treat her like she’s a basket case. Even her best friend (who's Jewel-Anne’s nurse) and the household help are creepy. In fact, everyone in the book qualifies as a character out of an Alfred Hitchcock movie. Plus, there’s also the little problem of the escaped madman, who may or may not still be hiding on the island, and Ava’s therapist, a woman she fears has grown too close to Ava’s husband, Wyatt. Soon, the landscape is littered with bodies, and Ava is rapidly finding herself the target of a police investigation. With only the help of a newly hired hand on the estate, she tries to prove she’s not crazy and find her son in the bargain. Jackson’s book is crammed with suspects and a palpable air of creepiness, but readers will spot a number of inconsistencies in the story and ultimately grow weary of the way she draws out the action with unnecessary dialogue and details.

Melodramatic and filled with a lot of pointless meanderings, but Jackson’s many fans will still enjoy it.

Pub Date: Aug. 1, 2012

ISBN: 978-0-7582-5857-1

Page Count: 416

Publisher: Kensington

Review Posted Online: July 21, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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SOMETIMES I LIE

Though the novel eventually begins to sag under the weight of all its plot elements, fans of the psychological thriller will...

A pathological liar, a woman in a coma, a childhood diary, an imaginary friend, an evil sister—this is an unreliable-narrator novel with all the options.

"A lot of people would think I have a dream job, but nightmares are dreams too." Was it only a week ago Amber Reynolds thought her job as an assistant radio presenter was a nightmare? Now it's Dec. 26 (or Boxing Day, because we're in England), and she's lying in a hospital bed seemingly in a coma, fully conscious but unable to speak or move. We won't learn what caused her condition until the end of the book, and the journey to that revelation will be complicated by many factors. One: She doesn't remember her accident. Two: As she confesses immediately, "Sometimes I lie." Three: It's a story so complicated that even after the truth is exposed, it will take a while to get it straight in your head. As Amber lies in bed recalling the events of the week that led to her accident, several other narrative threads kick up in parallel. In the present, she's visited in her hospital room by her husband, a novelist whose affections she has come to doubt. Also her sister, with whom she shares a dark secret, and a nasty ex-boyfriend whom she ran into in the street the week before. He works as a night porter at the hospital, giving him unfortunate access to her paralyzed but not insensate body. Interwoven with these sections are portions of a diary, recounting unhappy events that happened 25 years earlier from a 9-year-old child's point of view. Feeney has loaded her maiden effort with possibilities for twists and reveals—possibly more than strictly necessary—and they hit like a hailstorm in the last third of the book. Blackmail, forgery, secret video cameras, rape, poisoning, arson, and failing to put on a seat belt all play a role.

Though the novel eventually begins to sag under the weight of all its plot elements, fans of the psychological thriller will enjoy this ambitious debut.

Pub Date: March 13, 2018

ISBN: 978-1-250-14484-3

Page Count: 272

Publisher: Flatiron Books

Review Posted Online: Feb. 19, 2018

Kirkus Reviews Issue: March 1, 2018

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