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PINK SAMURAI

LOVE, MARRIAGE, AND SEX IN CONTEMPORARY JAPAN

An exhaustive, 479-page foray into Japan's modern sex customs that fluctuates between a scholarly history and a ``nasty travelogue'' of kinky rituals characteristic of the country's ``water trade.'' Bornoff, a British free-lance journalist, lived for 11 years in Tokyo during the late 1970's and 80's. Through interviews with and anecdotes about housewives, businessmen, psychologists, artists, prostitutes, and porn stars, Bornoff explores Japan's troubled national and racial character. A mutating economy, escalating divorce rate, female independence, rising crime, and an ethic that puts corporation over family have left Japan, says Bornoff, in a ``peculiar limbo'' where religious and patriarchal traditions are moribund. Yesterday's samurai is today's ``salaryman''an emasculated workaholic whose atavistic lust for militarism and misogyny can be sated only within the ``bordello architecture'' of ``love hotels,'' geisha houses, sex museums, strip parlors, and multiscreen blue movie palaces. Bornoff stresses ``the Japanese preference for the artificial over the real'' to showcase this consumer paradise where six merges with high-tech and Shinto meets Disney. Going beyond adult sleaze, Bornoff also exposes the sadomasochistic motifs in video games, comic books, and prime-time TV variety shows, not to mention the role of ultranationalist right-wing factions bolstering the pornography trade. Meanwhile, he atones for the book's excessive length by being witty, enlightening, and stunning with his wealth of references and perspectives. Bornoff's only weakness occurs in the first half, when he loses himself in ancient phallic festivals and Tantric trysts and doesn't sufficiently integrate the discussion into his central thesis on the here and now. Despite some uneven narrative, then, a delightful, weird and invaluable document with the informative and cynical charm of a good Mondo movie. (Eight-page photo insertnot seen.)

Pub Date: May 9, 1991

ISBN: 0-671-74265-5

Page Count: 496

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1991

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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